{"id":2103,"date":"2021-09-10T12:23:59","date_gmt":"2021-09-10T15:23:59","guid":{"rendered":"https:\/\/www.animafestival.com.ar\/current\/?page_id=2103"},"modified":"2021-10-05T15:34:48","modified_gmt":"2021-10-05T18:34:48","slug":"jurados-juries","status":"publish","type":"page","link":"https:\/\/www.animafestival.com.ar\/current\/jurados-juries\/","title":{"rendered":"Jurados \/ Juries"},"content":{"rendered":"\n

COMPETENCIA INTERNACIONAL DE CORTOMETRAJES – ADULTOS
I<\/em><\/strong>NTERNATIONAL SHORT FILMS COMPETITION – ADULTS<\/strong><\/em><\/p>\n\n\n\n

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Ana Martin \/ Argentina<\/p>\n\n\n\n

Ana Mart\u00edn es animadora y directora de animaci\u00f3n especializada en stop motion. Graduada en Dise\u00f1o de Imagen y Es animadora y directora de animaci\u00f3n especializada en stop motion. Graduada en Dise\u00f1o de Imagen y Sonido (UBA), comenz\u00f3 realizando cortometrajes de animaci\u00f3n que han participado de numerosos festivales. Tiene amplia experiencia en producci\u00f3n y animaci\u00f3n para publicidad y televisi\u00f3n, trabaj\u00f3 para clientes como Coca-Cola, MTV y Disney. En 2017 co-fund\u00f3 el Estudio Moco, donde desarrolla proyectos propios y brinda servicios. Adem\u00e1s, se desempe\u00f1a como docente de animaci\u00f3n en la Universidad Nacional de Avellaneda y en el \u00e1rea de extensi\u00f3n educativa de ENERC \u2013 INCAA, y es miembro fundadora de RAMA (Red Argentina de Mujeres y Diversidades de la Animaci\u00f3n).

She is an animator and animation director specializing in stop motion. Graduated in Image and Sound Design (UBA), she began making animation short films that have participated in numerous film festivals. She has extensive experience in production and animation for advertising and television, has worked for clients such as Coca-Cola, MTV, and Disney. In 2017 she co-founded Estudio Moco, where she develops her projects and provides services. In addition, she works as an animation teacher at the National University of Avellaneda and in the educational extension area of ENERC – INCAA, and is a founding member of RAMA (Argentine Network of Women and Diversities in Animation).<\/em><\/p>\n\n\n\n

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Joanna Quinn \/ Reino Unido \/ UK<\/p>\n\n\n\n

Es directora de animaci\u00f3n, y una figura muy importante y aclamada de la animaci\u00f3n mundial. Es reconocida internacionalmente por sus habilidades de dibujo, sus maravillosas caracterizaciones, y su humor. Las pel\u00edculas y los comerciales de Joanna han ganado muchos reconocimientos, incluidos 4 BAFTA, 3 EMMY y 2 nominaciones a los Premios OSCAR\u00ae. Ha recibido becas honor\u00edficas y doctorados en cuatro universidades del Reino Unido, incluido el Royal College of Art de Londres, y fue galardonada con el premio International Animation Laureate en 2014. La nueva pel\u00edcula de Joanna y Les Mills, Affairs of the Art, se estren\u00f3 en enero de 2021.<\/p>\n\n\n\n

British animation director, she is a highly acclaimed and major figure in World Animation. She is renowned internationally for her unique drawing skills, wonderful characterizations, and her humor. Joanna’s films and commercials have won many awards, including 4 BAFTA’s, 3 EMMY’s, and 2 OSCAR\u00ae nominations. She has received Honorary Fellowships and Doctorates at four UK universities, including the Royal College of Art in London, and was awarded the International Animation Laureate for 2014. Joanna and Les Mills’ new film, Affairs of the Art, were released in January 2021.<\/em><\/p>\n\n\n\n

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Silvina Cornill\u00f3n \/ Argentina<\/p>\n\n\n\n

BIOSe ha desempe\u00f1ado como productora de animaci\u00f3n durante m\u00e1s de 15 a\u00f1os. Es coordinadora de la secci\u00f3n de industria Animation! del Mercado Audiovisual Latinoamericano Ventana Sur, cuya convocatoria se realiza en alianza con el mercado MIFA del Festival Internacional de Annecy, y tiene como objetivo impulsar a los profesionales de la regi\u00f3n fomentando alianzas estrat\u00e9gicas. Adem\u00e1s, desde el Instituto Nacional de Cine y Artes Audiovisuales de Argentina (INCAA), Silvina lidera y coordina proyectos relacionados con el desarrollo de la animaci\u00f3n en Argentina. Es Embajadora Latinoamericana de los Premios Quirino y una de las creadoras de la Liga de la Animaci\u00f3n Iberoamericana.<\/p>\n\n\n\n

She has worked as an animation producer for over 15 years. She is the coordinator of the Animation! industry section of the Latin American Audiovisual Market Ventana Sur, whose call is made in alliance with the MIFA market of the Annecy International Animation Film Festival, and looks to promote professionals in the region by fostering strategic alliances. In addition, from the National Institute of Cinema and Audiovisual Arts of Argentina (INCAA), Silvina leads and coordinates projects related to the development of animation in Argentina. She is the Latin American Ambassador of the Quirino Awards and one of the creators of the Ibero-American Animation League.<\/em><\/p>\n\n\n\n

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COMPETENCIA INTERNACIONAL DE ANIMACI\u00d3N POR ENCARGO
INTERNATIONAL COMPETITION COMMISSIONED ANIMATION<\/strong><\/strong><\/em><\/p>\n\n\n\n

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Cesar Coelho \/ Brasil \/ Brazil<\/p>\n\n\n\n

Director de animaci\u00f3n, animador y guionista. Desde 1991 es socio y propietario de Campo 4 Produ\u00e7\u00f5es Cinematogr\u00e1ficas, donde produjo y dirigi\u00f3 m\u00e1s de 250 comerciales, cortometrajes, spots, aperturas televisivas y efectos especiales para pel\u00edculas. Tambi\u00e9n actu\u00f3 como Coordinador de Animaci\u00f3n de la Ceremonia de Clausura de los Juegos Ol\u00edmpicos Rio2016. Es uno de los fundadores y directores de Anima Mundi \u2013 Festival Internacional de Animaci\u00f3n de Brasil, uno de los festivales de animaci\u00f3n m\u00e1s grandes del mundo. All\u00ed, adem\u00e1s, dirige y coordina el Anima Forum, conferencias destinadas a abordar el desarrollo de la industria brasile\u00f1a de la animaci\u00f3n.<\/p>\n\n\n\n

Animation director, animator, and scriptwriter. Since 1991 is an associate and owner of Campo 4 Produ\u00e7\u00f5es Cinematogr\u00e1ficas, where he produced and directed over 250 commercials, short films, spots, show openings for TV, and special effects for movies. He also acted as Animation Coordinator for the Rio2016 Olympic Games Closing Ceremony. He is one of the founders and directors of Anima Mundi \u2013 International Animation Festival of Brazil, one of the largest animation festivals in the world. In there, among other tasks, directs and coordinates the Anima Forum, conferences meant to approach the development of the Brazilian animation industry.<\/em><\/p>\n\n\n\n

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Ferenc Mikul\u00e1s \/ Hungr\u00eda \/ Hungary<\/p>\n\n\n\n

Figura altamente reconocida en la cultura h\u00fangara, Mikul\u00e1s tuvo su acercamiento al cine animado trabajando en el Pann\u00f3nia Film Studio, en Hungr\u00eda. Desde 1971 es director del Estudio de Animaci\u00f3n Kecskem\u00e9t, cuyas pel\u00edculas han ganado m\u00e1s de 70 premios en varios festivales internacionales. Adem\u00e1s, desde 1993 ha sido el Director del Festival de Cine de Animaci\u00f3n Kecskem\u00e9t (KAFF), que en 1996 obtuvo su estatus internacional, y durante los \u00faltimos 20 a\u00f1os se convirti\u00f3 en el evento de animaci\u00f3n m\u00e1s importante de la regi\u00f3n. Actu\u00f3 como jurado en varios festivales de cine en el mundo, y fue miembro del Consejo de Administraci\u00f3n de ASIFA (International Animated Film Society).<\/p>\n\n\n\n

A highly recognized figure in Hungarian culture, Mikul\u00e1s had his approach to animated cinema working at the Pann\u00f3nia Film Studio, in Hungary. Since 1971 he has been the head of the Kecskem\u00e9t Animation Studio, whose films have won more than 70 awards at various international festivals. Furthermore, since 1993, he has been the Director of the Kecskem\u00e9t Animated Film Festival (KAFF), which in 1996 obtained its International status, and for the last 20 years, it became the most relevant animation event in the region. He served as a juror at various film festivals around the world and was a member of the Board of Directors of ASIFA (International Animated Film Society).<\/em><\/p>\n\n\n\n

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Magdiela Hermida Duhamel \/ Estados Unidos \/ USA<\/p>\n\n\n\n

Productora de animaci\u00f3n y acci\u00f3n en vivo, con experiencia en producci\u00f3n desde el gui\u00f3n a la postproducci\u00f3n. Ha participado en m\u00faltiples proyectos, entre ellos Trollhunters: Tales of Arcadia (2016), de Dreamworks, la primera serie animada mexicano-estadounidense de Nickelodeon, The Casagrandes (2019), y la primera serie animada de Marvel Studio, What If …? (2021). Adem\u00e1s, aboga por la diversidad, y su intenci\u00f3n es abrir las puertas de la industria a grupos poco representados. Para esto fund\u00f3 y co-dirige LatinX in Animation, una organizaci\u00f3n del Latino Film Institute que busca construir una comunidad de profesionales latinxs en las industrias de animaci\u00f3n, efectos visuales y videojuegos.<\/p>\n\n\n\n

Animation and live-action producer, with production experience from page to post and everything in between. She has contributed to multiple projects, that include Dreamworks Trollhunters: Tales of Arcadia (2016), Nickelodeon\u2019s first Mexican-American animated series The Casagrandes (2019), and Marvel Studio\u2019s first animated series, What If\u2026? (2021). Magdiela champions and advocates for diversity, and her true passion is to open doors into the industry for underrepresented groups. To achieve this goal, she founded and co-directs LatinX in Animation, a non-profit organization under the Latino Film Institute created to build a community for Latinx professionals in the Animation, VFX, and Gaming industries.<\/em><\/p>\n\n\n\n

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COMPETENCIA INTERNACIONAL DE ANIMACIONES DE ESTUDIANTES
INTERNATIONAL STUDENT ANIMATION COMPETITION<\/strong><\/strong><\/em> <\/p>\n\n\n\n

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Agustina Ceballos Pons \/ Argentina<\/p>\n\n\n\n

Es estudiante de la carrera de Cine y Tv (UNC), y se encuentra especializ\u00e1ndose en las \u00e1reas de Animaci\u00f3n 2D digital, guion y storyboarding. Es ayudante de la c\u00e1tedra de Animaci\u00f3n, y est\u00e1 llevando adelante su Trabajo Final de Carrera, un cortometraje que incluye las t\u00e9cnicas de rotoscop\u00eda y animaci\u00f3n 2D digital. Adem\u00e1s, se desenvuelve en el \u00e1rea del dise\u00f1o gr\u00e1fico, siendo parte del equipo de dise\u00f1o del Festival ANIMA desde el a\u00f1o 2019.<\/p>\n\n\n\n

She is a student of the Film and TV career (UNC), and she is specializing herself in the areas of 2D digital animation, screenwriting, and storyboarding. She is a helper in the Animation Film class, and she is working on her thesis project, a short film that includes the techniques of rotoscope and 2D digital animation. In addition, she works in graphic design, being part of the design team of the ANIMA Festival since 2019.<\/em><\/p>\n\n\n\n

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Candela Roulier \/ Argentina<\/p>\n\n\n\n

Estudiante avanzada de la Licenciatura en Dise\u00f1o y Producci\u00f3n Audiovisual (UNVM), se desempe\u00f1a como dise\u00f1adora gr\u00e1fica, editora y animadora free lance. Realiza registros audiovisuales para el medio de comunicaci\u00f3n alternativo La Ventolera, de la ciudad de Villa Mar\u00eda. Adem\u00e1s, integra el equipo de investigaci\u00f3n \u201cExperimentar el movimiento: pr\u00e1cticas y reflexiones procesuales en la creaci\u00f3n animada\u201d, y forma parte del equipo realizativo del cortometraje en stop motion Deshabitar (2018), selecci\u00f3n oficial de Festival Cart\u00f3n 2021.<\/p>\n\n\n\n

Advanced student of the Bachelor’s Degree in Audiovisual Design and Production (UNVM), she works as a freelance graphic designer, editor, and animator. She makes audiovisual recordings for the alternative communication medium La Ventolera, from the city of Villa Mar\u00eda. In addition, she is part of the research team \u00abExperimenting movement: practices and process reflections in animated creation\u00bb, and she is part of the animator’s team of the stop motion short film Deshabitar (2018), official selection at the Cart\u00f3n Film Festival 2021.<\/em><\/p>\n\n\n\n

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Yuliana Brutti \/ Argentina<\/p>\n\n\n\n

Realizadora audiovisual y animadora stop motion, ha escrito y dirigido diversos cortometrajes seleccionados en festivales internacionales de cine. En 2019 gan\u00f3 una beca para asistir al Laboratorio animado AJAYULAB, de 4 semanas intensivas en la ciudad de Puno, Per\u00fa. Actualmente desarrolla su Trabajo Final de Carrera de Licenciatura en Cine y Tv (UNC), un corto animado llamado La bolsita de agua caliente. Adem\u00e1s, forma parte de RAMA (Red Argentina de Mujeres de la Animaci\u00f3n).<\/p>\n\n\n\n

Audiovisual producer and stop motion animator, she has written and directed several short films selected at international film festivals. In 2019 she won a scholarship to attend the AJAYULAB Animated Laboratory, for 4 intensive weeks in Puno, Peru. She is currently developing her Final Degree Project in Film and TV (UNC), an animated short film called La bolsita de agua caliente. In addition, she is part of RAMA (Argentine Network of Women and Diversities in Animation).<\/em><\/p>\n\n\n\n

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COMPETENCIA INTERNACIONAL DE CORTOMETRAJES INFANTIL Y JUVENIL
INTERNATIONAL SHORT FILM COMPETITION CHILDREN AND YOUTH<\/strong><\/strong><\/em><\/p>\n\n\n\n

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Morena Siragusa \/ Argentina<\/p>\n\n\n\n

Soy More, tengo 12 a\u00f1os, me gusta dibujar en el celu y a veces hago animaciones ah\u00ed.<\/p>\n\n\n\n

I’m More, I’m 12 years old, I like to draw on my cell phone and sometimes I do animations there.<\/em><\/p>\n\n\n\n

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Nina Iturburu Fernandez<\/p>\n\n\n\n

Mi nombre es Nina, tengo 8 a\u00f1os. Me gusta mucho la animaci\u00f3n, sobre todo el stop motion de animales: caballos, gatos, ovejas y personas. No me gusta tanto el stop motion muy raro.<\/p>\n\n\n\n

My name is Nina, I am 8 years old. I really like animation, especially the stop motion of animals like horses, cats, sheep and people. I don’t like very weird stop motion that much.<\/em><\/p>\n\n\n\n

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Rafael Infante Lopez Alonso<\/p>\n\n\n\n

Me llamo Rafael Infante Lopez Alonso, me gusta jugar videojuegos y alg\u00fan d\u00eda me gustar\u00eda ser actor. Me gusta la comedia y los superh\u00e9roes.<\/p>\n\n\n\n

My name is Rafael Infante L\u00f3pez Alonso, I like to play video games and one day I would like to become an actor. I like comedy and superheroes.<\/em><\/p>\n\n\n\n

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Victoria Gonz\u00e1lez Sviatschi \/ Argentina<\/p>\n\n\n\n

Soy Victoria, tengo 9 a\u00f1os y vivo en C\u00f3rdoba. Me encanta jugar al f\u00fatbol y al tenis, dibujar, hacer comics y construir con legos.<\/p>\n\n\n\n

I\u2019m Victoria, I\u2019m 9 years old and I live in C\u00f3rdoba. I love playing soccer and tennis, drawing, making comics, and building things with legos.<\/em><\/p>\n\n\n\n

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JURADO MENCI\u00d3N RAFMA
RAFMA AWA<\/strong>RD JURY<\/strong><\/em><\/p>\n\n\n\n

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Carla Briasco \/ Argentina<\/p>\n\n\n\n

Productora audiovisual. Nace en Cosqu\u00edn. Luego de iniciar la carrera de Int\u00e9rprete de Danza Contempor\u00e1nea y Teatro en la Universidad de C\u00f3rdoba, decide radicarse en Buenos Aires para continuar sus estudios, y lo hace en el Instituto Universitario Nacional de las Artes (UNA). En el 2009 en Cacique Argentina, desarrolla el \u00e1rea de consultor\u00eda en comunicaci\u00f3n y relaciones p\u00fablicas de la productora, y en el 2011 junto a Eduardo Leyrado crea el Festival Internacional de Cine Independiente de Cosqu\u00edn que lleva 10 ediciones consecutivas. Se desempe\u00f1a como productora de contenidos audiovisuales para cine, tv y publicidad. Realiz\u00f3 la producci\u00f3n ejecutiva en la pel\u00edcula TRES D de Rosendo Ruiz junto a El Carro y D\u00edas de Fiesta Cine. Forma parte de RAFMA Red Argentina de Festivales y Muestras Audiovisuales representando a FICIC.<\/p>\n\n\n\n

Audiovisual producer. Born in Cosqu\u00edn, Cordoba, Argentina. After starting her instruction in Contemporary Dance and Theater Performance at the University of Cordoba, she moves to Buenos Aires to continue her studies at the National University Institute of the Arts (UNA). In 2009, she develops the unit of Consultancy in communication and public relations at Cacique Argentina. In 2011, alongside Eduardo Leyrado, she creates the International Independent Film Festival of Cosqu\u00edn, which has been running for 10 consecutive editions. She is a producer of audiovisual content for cinema, TV and advertising. She was executive producer on the film TRES D, by Rosendo Ruiz, as well as El Carro and D\u00edas de Fiesta Cine. She is a member of the Argentine Network of Audiovisual Festivals and Exhibitions (RAFMA) in representation of the International Film Festival of Cosqu\u00edn (FICIC).<\/em><\/p>\n\n\n\n

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Diego Rolle \/ Argentina<\/p>\n\n\n\n

Docente en la \u201cEscuela Para Animadores de Rosario\u201d dependiente del Centro Audiovisual Rosario de la Secretar\u00eda de Cultura y Educaci\u00f3n de la Municipalidad de Rosario. Integrante del estudio independiente de animaci\u00f3n Sr. Manduv\u00ed. Form\u00f3 parte de la Cooperativa de Trabajo \u201cAnimadores de Rosario\u201d (2007-2015). Dirigi\u00f3 y anim\u00f3 en el programa televisivo de dibujos animados Cabeza de Rat\u00f3n (2007 a 2019) que se emitI\u00f3 por Canal 5 de Rosario (Grupo TELEFE) y por 5Rtv (Canal del estado de la provincia de Santa Fe) y los cortos \u201cViaje a la Tierra\u201d (2010) y \u201cCon este amor\u201d (2008) entre muchos otros. Fue animador en \u201cClautr\u00f3polis\u201d (2012) cortometraje de la pel\u00edcula \u201c\u00c1nima Buenos Aires\u201d, producida por Caloi en su Tinta y en las dos temporadas de los micros \u00abLos secretos de la animaci\u00f3n\u00bb para Paka Paka. Fue animador en los cortometrajes \u201cSemblanzas deportivas\u201d que forman parte de la pel\u00edcula \u201cFontanarrosa, lo que se dice un \u00eddolo\u201d (2017). Fue asistente de direcci\u00f3n y animador en \u201cEl viaje de Gaia\u201d (2015). Ha realizado numerosas publicidades y campa\u00f1as para diversos clientes.<\/p>\n\n\n\n

He teaches at the \u00abEscuela para Animadores de Rosario\u00bb (School for Animators of Rosario), which is part of the Centro Audiovisual Rosario (Rosario Audiovisual Center) of the Secretary of Culture and Education of the Municipality of Rosario. Member of the independent study of animation Sr. Manduv\u00ed. He was part of the Work Cooperative \u00abAnimadores de Rosario\u00bb (2007-2015). He directed and animated the cartoon TV show Cabeza de Rat\u00f3n (2007 to 2019), which was broadcasted on Channel 5 of Rosario (TELEFE Group) and 5Rtv (State Channel of the province of Santa Fe), as well as the short films \u00abViaje a la Tierra\u00bb (2010) and \u00abCon este amor\u00bb (2008), among many others. He was an animator in \u00abClautr\u00f3polis\u00bb (2012), short film of the movie \u00ab\u00c1nima Buenos Aires\u00bb, produced by Caloi en su Tinta. He also animated the two seasons of the micros \u00abLos secretos de la animaci\u00f3n\u00bb for Paka Paka. He animated the short films \u00abSemblanzas deportivas\u00bb, which are part of the film \u00abFontanarrosa, lo que se dice un \u00eddolo\u00bb (2017). He was assistant director and animator in El viaje de Gaia (2015). He did several advertising and campaigns for many different clients.<\/em><\/p>\n\n\n\n

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Marco Haidar \/ M\u00e9xico-Argentina<\/p>\n\n\n\n

Nacido en M\u00e9xico el 29 de marzo de 1982, nacionalizado argentino. Actualmente vive en C\u00f3rdoba donde realiz\u00f3 sus estudios acad\u00e9micos. Tuvo su propia agencia fotogr\u00e1fica y video, que se desarroll\u00f3 en imagenes de producto, sociales, publicidad e institucionales. Participo de varias realizaciones audiovisuales y actualmente es socio fundador y Director General de La Lumi\u00e8re Escuela de Fotograf\u00eda, Cine y Dise\u00f1o donde adem\u00e1s dict\u00f3 clases y talleres, ejerce como uno de los tres Managing Partner del 48 Hour Film Proyect C\u00f3rdoba, y es Director Ejecutivo de la plataforma virtual Cinexpress (CINE Y COMUNIDAD AUDIOVISUAL). Adem\u00e1s, se desempe\u00f1a como tesorero de la C\u00e1mara de Institutos de Formaci\u00f3n Laboral y de Oficios CIFLO Argentina.<\/p>\n\n\n\n

He was born in Mexico on March 29, 1982, and is a naturalized Argentinean citizen. He currently lives in Cordoba, Argentina, where he completed his academic studies. He had his own photo and video agency, which focused on images of products, as well as social, advertising and institutional images. He has participated in several audiovisual productions and is currently a founding partner and General Director of La Lumi\u00e8re, School of Photography, Film and Design, where he has also taught classes and workshops. He\u2019s one of the three managing partners of the 48 Hour Film Project Cordoba, and the Executive Director of the virtual platform Cinexpress (CINEMA AND AUDIOVISUAL COMMUNITY). He also serves as treasurer of the Chamber of Institutes for Labor and Trade Training (CIFLO) Argentina.<\/em><\/p>\n\n\n\n

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JURADO MENCI\u00d3N RAMA
RAMA AWA<\/strong>RD JURY<\/strong><\/em><\/p>\n\n\n\n

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Claudia Ruiz \/ Argentina<\/p>\n\n\n\n

Directora de \u201cEl Molinete\u201d, Prof. de Artes Visuales , Lic. en Dise\u00f1o en la Com. Visual, Becaria del FNA. Desde el a\u00f1o 97 da talleres para ni\u00f1os y j\u00f3venes en Festivales, Ense\u00f1anza Formal y No Formal. (Taller El Pibe, Fest. Nueva Mirada, Festival la Matatena, Festival Ojo de Pescado; MICE, etc). Doc. en la Esc. de Artes Visuales y en el Inst. Sup. de Cine y Artes Audiovisuales. Forma parte de RAMA y de MUA SF. Realizadora de cortometrajes y series animadas, acreedoras de m\u00e1s de 60 premios nacionales e internacionales: El ni\u00f1o y la Noche, Ail\u00edn en la Luna, 11:40, Hablando de Cosas Serias, entre otras.<\/p>\n\n\n\n

Director of \u201cEl Molinete\u201d, Prof. of Visual Arts with a degree in Visual Communication Design. Fellow of the National Arts Fund of Argentina (FNA). Since 1997, she teaches workshops for children and youth in Festivals, as well as in formal and informal education settings. (Workshop El Pibe, Nueva Mirada Festival, La Matatena Festival, Ojo de Pescado Festival; MICE, etc). Prof. at the School of Visual Arts and the High Institute of Cinema and Audiovisual Arts. She’s a participating member of the Argentine Network of Women in Animation (RAMA) and of Women United and Active (MUA, SF). Director of short films and animated series, and recipient of more than 60 national and international awards: El ni\u00f1o y la Noche, Ail\u00edn en la Luna, 11:40, Hablando de cosas serias, among others.<\/em><\/p>\n\n\n\n

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Guadalupe Labake \/ Argentina<\/p>\n\n\n\n

Realiz\u00f3 animaci\u00f3n y composici\u00f3n digital en proyectos animados de largometrajes, publicidades, cortometrajes y videojuegos. Sus obras visuales estuvieron expuestas en galer\u00edas y museos de Argentina y EEUU: CC Recoleta, CC Borges y Chelsea Art Museum. Becada por San Francisco Art Institute, EEUU; Proyectarte, Arg. y Esc Multimedial Da Vinci, Arg. Ah\u00ed se gradu\u00f3 en Direcci\u00f3n de Cine de Animaci\u00f3n, recibiendo un subsidio de la misma para realizar el corto \u201cPendiente\u201c, coautor\u00eda con Nicol\u00e1s S\u00e1nchez. Obtuvo Menci\u00f3n Especial con Arco\u00edris en la 7\u00aa edici\u00f3n de Im\u00e1g Bicentenario, Sec de Cultura Salta. Recibi\u00f3 la Beca Creaci\u00f3n del Fondo Nacional de las Artes y el Fondo Ciudadano para el Desarrollo Cultural del Ministerio de Cultura de Salta, para realizar Kuchis del Monte, un libro-\u00e1lbum de su autor\u00eda.<\/p>\n\n\n\n

She made animation and digital composition in animated projects for feature films, commercials, short films and videogames. Her visual pieces have been exhibited in galleries and museums in Argentina and the United States: Recoleta Cultural Center, Borges Cultural Center and the Chelsea Art Museum. She was awarded grants by the San Francisco Art Institute of San Francisco; Proyectarte, Argentina, and the Da Vinci Multimedia School, Argentina. She graduated the latter with a degree in animated film directing, and received a grant from the same institution to create the short film \u00abPendiente\u00bb, co-authored with Nicol\u00e1s S\u00e1nchez. She was awarded a Special Mention for her work Arco\u00edris, during the 7th edition of Im\u00e1g Bicentenario, by the Secretary of Culture of Salta, Argentina. She was awarded the Creation grant by the National Fund for the Arts, as well as the Citizen Fund for Cultural Development by the Ministry of Culture of Salta, with which she produced Kuchis del Monte, a book-album of her authorship.<\/em><\/p>\n\n\n\n

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Itati Romero \/ Argentina<\/p>\n\n\n\n

Productora. Animadora. gestora cultural. Labores en diversos festivales y laboratorios: El Ventilador Festival Internacional de Cine de Animaci\u00f3n(2012-actual.), BAFICI(2015-2017), ANIMA(2017-actual.), Festival Internacional de Cine de Mar de Plata(2017-actual.), APA Lab(2018-actual.). Egresada de la Universidad Nacional de C\u00f3rdoba. Ganadora de la Beca Extensi\u00f3n UNC 2016 y Beca Creaci\u00f3n FNA 2018.<\/p>\n\n\n\n

Producer. Animator. Cultural Manager. Her work in different festivals and laboratories includes: El Ventilador International Animation Film Festival (2012 to date), BAFICI (2015-2017), ANIMA (2017 to date), Mar de Plata International Film Festival (2017 to date), and APA Lab (2018 to date). Graduated from the National University of Cordoba (UNC). Recipient of the grant by the Secretary of Extension of the UNC in 2016 and of the Creaci\u00f3n fellowship by the FNA in 2018.<\/em><\/p>\n\n\n\n

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COMPETENCIA INTERNACIONAL DE LARGOMETRAJES
INTERNATIONAL FEATURE ANIMATION COMPETITION<\/strong><\/strong><\/em><\/p>\n\n\n\n

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Alejandro Cozza \/ Argentina<\/p>\n\n\n\n

T\u00e9cnico Productor en Medios Audiovisuales, egresado de la carrera de Cine y TV (UNC). Se desempe\u00f1a como docente de cine en ense\u00f1anza media y universitaria, y es tutor de Gui\u00f3n de los tesistas de la ENERC (Cuyo). Cr\u00edtico de cine en diferentes medios, colabor\u00f3 en la programaci\u00f3n de muestras, cineclubes y festivales nacionales. Creador del Cineclub Pasi\u00f3n de los fuertes y actual Presidente de la Asociaci\u00f3n de Amigos del Cineclub Municipal Hugo del Carril. Dirigi\u00f3 los cortos \u201cTodas las pistas fueron falsas\u201d (2021) y \u201cEl oso ant\u00e1rtico\u201d (2021). Adem\u00e1s, colabor\u00f3 en los guiones de \u201cDe caravana\u201d (2010) y \u201cTres D\u201d (2014) dirigidas por Rosendo Ruiz, y juntos se encuentran trabajando en el film \u201cTunga\u201d.<\/p>\n\n\n\n

Technical Producer in Audiovisual Media, graduated from Film and TV (UNC). He works as a film teacher in secondary and university education, and is a script tutor for the thesis students at ENERC (Cuyo). Film critic in different media, he has helped in the programming of various exhibitions, film clubs, and national festivals. He is the creator of the Cineclub Pasi\u00f3n de los Fuerte and current President of the Association of Friends of the Municipal Cineclub Hugo del Carril. He directed the short films \u201cTodas las pistas fueron falsas\u201d (2021) and \u201cEl oso ant\u00e1rtico\u201d (2021). In addition, he collaborated on the scripts for \u201cDe caravana\u201d (2010) and \u201cTres D\u201d (2014), directed by Rosendo Ruiz, and together they are working on the film \u201cTunga\u201d.<\/em><\/p>\n\n\n\n

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Gabriela Trettel \/ Argentina<\/p>\n\n\n\n

Es Licenciada en Cine y TV (UNC), fot\u00f3grafa, guionista, directora en cine y publicidad y docente. Escribi\u00f3 y dirigi\u00f3 los cortometrajes Ana (2007) y Prodigio (2009), que participaron en numerosos festivales obteniendo distinciones como el Premio al mejor Cortometraje \u00abLa Mujer y el Cine\u00bb 2007, y la Menci\u00f3n Especial Del Jurado en el 9\u00b0 BAFICI. Trabaj\u00f3 como Asistente de Direcci\u00f3n en proyectos de largometrajes, series de TV, publicidades, y escribi\u00f3 y dirigi\u00f3 el largometraje Soleada (2016). Adem\u00e1s, participa como socia adherente en CAPAC (C\u00e1mara de Productoras Audiovisuales de C\u00f3rdoba) y desde 2015 es docente en la Escuela de Cine y Comunicaci\u00f3n La Metro, C\u00f3rdoba.<\/p>\n\n\n\n

She has a degree in Film and TV (UNC), is a photographer, screenwriter, film and advertising director, and teacher. She wrote and directed the short films Ana (2007) and Prodigio (2009), which participated in numerous festivals, obtaining distinctions such as the Best Short Film \u00abLa Mujer y el Cine\u00bb 2007, and the Jury Special Mention at the 9th BAFICI. She worked as an Assistant Director on feature film projects, TV series, advertisements, and wrote and directed the feature film Soleada (2016). In addition, she participates as an adherent member in CAPAC (Chamber of Audiovisual Production Companies of C\u00f3rdoba) and since 2015 she is a teacher at the Film and Communication School La Metro, C\u00f3rdoba.<\/em><\/p>\n\n\n\n

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Juan Manuel Costa \/ Argentina<\/p>\n\n\n\n

Licenciado en Cine y TV (UNC), en el cuarto a\u00f1o de la carrera curs\u00f3 la materia de Animaci\u00f3n, con la que descubre un mundo rico en recursos narrativos, expresivos y art\u00edsticos. Desde entonces investiga y experimenta en la animaci\u00f3n stop motion. Realiz\u00f3 los cortometrajes animados El Birque (2003), Elvira (2004) y La Ollera (2009) con los que obtuvo mas de una treintena de premios. En el a\u00f1o 2008 inaugura su propio estudio de animaci\u00f3n \u201cEl Birque Animaciones\u201d, donde genera proyectos, formatos y contenidos para cine y televisi\u00f3n. Adem\u00e1s, es miembro fundador de APA | Asociaci\u00f3n Productoras de Animaci\u00f3n de C\u00f3rdoba, un espacio de intercambio destinado a fomentar la producci\u00f3n en la regi\u00f3n.<\/p>\n\n\n\n

Graduated from Film and TV (UNC), in his fourth year he attends Animation classes, where he discovers a world rich in narrative, expressive, and artistic resources. Since then, he has researched and experimented with stop motion animation. He made the animated short films El Birque (2003), Elvira (2004), and La Ollera (2009), with which he won more than thirty awards. In 2008 he inaugurated his animation studio El Birque Animaciones, where he generates projects, formats, and content for film and television. In addition, he is a founding member of APA | Animation Producers Association of C\u00f3rdoba, a space for exchange aimed to promote the production of animation in the region.<\/em><\/p>\n\n\n\n

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COMPETENCIA ANIMACI\u00d3N LATINOAMERICANA
LATIN AMERICAN ANIMATION COMPETITION<\/strong><\/strong><\/em><\/p>\n\n\n\n

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Antonia Herrera \/ Chile<\/p>\n\n\n\n

Estudi\u00f3 Artes Pl\u00e1sticas para luego especializarse en el \u00e1rea de Animaci\u00f3n Digital. El 2008 co-fund\u00f3 la productora audiovisual Punkrobot Studio, donde cre\u00f3 y desarroll\u00f3 las series infantiles \u00abFlipos\u00bb (2010), y \u00abLas Aventuras de Muelin y Perlita\u00bb (2014). Ha ejercido el cargo de Direcci\u00f3n de Arte y Animaci\u00f3n en diversos proyectos televisivos, comerciales y f\u00edlmicos, destacando el cortometraje \u00abHistoria de un Oso\u00bb ganador del premio OSCAR como Mejor Cortometraje Animado en 2016. Se ha dedicado de manera independiente a la ilustraci\u00f3n de libros infantiles, y actualmente est\u00e1 dirigiendo junto a Mari Soto-Aguilar la segunda temporada de la serie preescolar \u00abGuitarra y Tambor\u00bb.<\/p>\n\n\n\n

She studied Plastic Arts to later specialize in the area of Digital Animation. In 2008 she co-founded the audiovisual production company Punkrobot Studio, where she created and developed the children’s series Flipos (2010), and Las Aventuras de Muelin y Perlita (2014). She has held the position of Art and Animation Director in various television, commercial, and film projects, highlighting the short film Historia de un Oso, winner of the OSCAR for Best Animated Short Film in 2016. She has independently dedicated himself to the illustration of children’s books and is currently directing with Mari Soto-Aguilar the second season of the preschool series Guitarra y Tambor.<\/em><\/p>\n\n\n\n

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Mohamed Ghazala \/ Egipto \/ Egypt<\/p>\n\n\n\n

Es profesor de Animaci\u00f3n, Coordinador de la Escuela de Artes Cinematogr\u00e1ficas de la Universidad de Effat (Arabia Saudita), y vicepresidente de ASIFA (International Animated Film Association). Fue jurado en numerosos festivales de animaci\u00f3n y di\u00f3 clases en institutos de cine a lo largo del mundo. Se enfoca en realizar pel\u00edculas experimentales de manera independiente, o en el curso de talleres o residencias de arte. Dirigi\u00f3 y co-dirigi\u00f3 obras como \u201cCrazy Works\u201d (2002), \u201cHM HM\u201d (2005), \u201cSayari Yetu\u201d (2006), \u201cHonyan’s Shoe\u201d (2009), y \u201cSalma\u201d (2006), la primer pel\u00edcula animada en Yemen. Adem\u00e1s, ha publicado dos libros, \u201cAnimation in the Arab World\u201d (2011) y \u201cAnimation in Africa\u201d (2013).<\/p>\n\n\n\n

He is a professor of animation, and the chair of the Cinematic Arts School of Effat University (Saudi Arabia), besides being the Vice President of the International Animated Film Association (ASIFA). He was a juror at numerous animation festivals and taught at film institutes throughout the world. Ghazala mainly concentrates on making independent experimental films on his own or in the course of workshops or art residencies. He directed and co-directed the films Crazy Works (2002), HM HM (2005), Sayari Yetu (2006), Honyan’s Shoe (2009), and first Yemen’s animated film, Salma (2006). In addition, he has published two books, Animation in the Arab World (2001) and Animation in Africa (2013).<\/em><\/p>\n\n\n\n

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Pablo Delfini \/ Argentina<\/p>\n\n\n\n

Egresado de la Escuela Superior de Bellas Artes, forma parte en 1982 del Grupo AVEX (Avellaneda Experimental) y del primer grupo del Taller de Animaci\u00f3n de Rodolfo S\u00e1enz Valiente en el IDAC de Avellaneda, instituto donde ense\u00f1ar\u00eda T\u00e9cnicas Experimentales de Animaci\u00f3n de 1985 a 2008. Sus cortometrajes de stop motion han recorrido festivales en todo el mundo, y actualmente, en paralelo a su actividad como grabador e investigador de las t\u00e9cnicas de grabado menos t\u00f3xico, desarrolla desde 2008 el Proyecto Libro Vivo, animando en las p\u00e1ginas de libros reciclados peque\u00f1as historias mudas, incluidas en sus cortitos, y tambi\u00e9n difundidas en las redes sociales con el formato de gif animado.<\/p>\n\n\n\n

Graduated from the Superior School of Fine Arts, in 1982 he was part of the AVEX Group (Avellaneda Experimental) and of the first group of Rodolfo S\u00e1enz Valiente’s Animation Workshop at the IDAC of Avellaneda, the institute where he would teach Experimental Animation Techniques from 1985 to 2008. His stop motion short films have toured festivals around the world, and currently, in parallel to his activity as an engraver and researcher of less toxic engraving techniques, he has been developing since 2008 the Libro Vivo Project, animating small stories on the pages of recycled books, included in their short films, and also disseminated on social networks in the format of animated gif.<\/em><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

COMPETENCIA INTERNACIONAL DE CORTOMETRAJES – ADULTOSINTERNATIONAL SHORT FILMS COMPETITION – ADULTS Ana Martin \/ Argentina Ana Mart\u00edn es animadora y directora de animaci\u00f3n especializada en stop motion. Graduada en Dise\u00f1o de Imagen y Es animadora y directora de animaci\u00f3n especializada en stop motion. Graduada en Dise\u00f1o de Imagen y Sonido (UBA), comenz\u00f3 realizando cortometrajes de […]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2103","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/2103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/comments?post=2103"}],"version-history":[{"count":8,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/2103\/revisions"}],"predecessor-version":[{"id":2299,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/2103\/revisions\/2299"}],"wp:attachment":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/media?parent=2103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}