{"id":253,"date":"2017-09-24T23:58:08","date_gmt":"2017-09-24T23:58:08","guid":{"rendered":"http:\/\/www.animafestival.com.ar\/2017\/?page_id=253"},"modified":"2017-10-01T12:50:22","modified_gmt":"2017-10-01T12:50:22","slug":"competencia-internacional-de-cortometrajes-international-short-films-competition","status":"publish","type":"page","link":"https:\/\/www.animafestival.com.ar\/current\/competencia-internacional-de-cortometrajes-international-short-films-competition\/","title":{"rendered":"Competencia Internacional de Cortometrajes \/ International Short Films Competition"},"content":{"rendered":"

Jurados \/ Jurors<\/em><\/strong><\/p>\n\n\n\n\n\t\n\t\n\t
\"\"<\/td>Anthony SCOTT<\/b>
\n
\n
Anthony Scott es un reconocido animador de stop-motion y director de animaci\u00f3n en Clokey Productions\/Premavision. Inici\u00f3 su carrera con Las nuevas aventuras de Gumby, en el a\u00f1o 1988. Continu\u00f3 sus trabajos de animaci\u00f3n en El extra\u00f1o mundo de Jack, Jim y el durazno gigante, Monkeybone y ParaNorman. Scott fue el supervisor de animaci\u00f3n de El cad\u00e1ver de la novia, de Tim Burton y de Coraline, de Henry Selick. Tambi\u00e9n fue el director de animaci\u00f3n de las secuencias de stop-motion de El principito. A trav\u00e9s de su sitio web, StopMotionAnimation.com<\/a>, Scott tiene una gran presencia en l\u00ednea. Para ver una lista completa de sus cr\u00e9ditos, visit\u00e1 anthonyscott.net<\/a>.<\/div><\/td>
Anthony SCOTT<\/b>
\n
\n
Anthony Scott, renowned stop-motion animator, animation director and current head of animation at Clokey Productions\/Premavision, kicked off his career with the New Adventures of Gumby in 1988. He went on to animate on The Nightmare Before Christmas, James and the Giant Peach, Monkeybone, and ParaNorman. Scott was the animation supervisor on Tim Burton\u2019s Corpse Bride and Henry Selick\u2019s Coraline. He was also the Lead Animator for the stop-motion sequences in The Little Prince. Scott has a huge on-line presence with his website, StopMotionAnimation.com<\/a>. A complete list of credits can be found at anthonyscott.net<\/a>.<\/div><\/i><\/td>\n<\/tr>\n
\"\"<\/td>Rosana URBES<\/B>
\n
\n
Animadora, ilustradora y artista de storyboard, la directora de \"Guida\", Rosana Urbes, trabaj\u00f3 fuera de Brasil durante 8 a\u00f1os, 6 de los cuales transcurrieron en los Disney Studios para pel\u00edculas como \u201cMul\u00e1n\u201d, \u201cTarz\u00e1n\u201d y \u201cLilo & Stitch\u201d. Tras su regreso a Brasil, cre\u00f3 su propio estudio, donde desarrolla proyectos de animaci\u00f3n adem\u00e1s de dise\u00f1ar e ilustrar libros.<\/div> <\/td>
Rosana URBES<\/B>
\n
\n
Animator, Illustrator and Storyboard Artist, the director of \"Guida\" Rosana Urbes worked outside Brazil for 8 years, 6 of them at Disney Studios on movies such as \u201cMulan\u201d, \u201cTarzan\u201d and \u201cLilo & Stitch\u201d. Back in Brazil, she created her own Studio where she develops animation projects, also designing and illustrating for books.<\/div> <\/i><\/td>\n<\/tr>\n
\"\"<\/td>Juan Pablo ZARAMELLA<\/B>
\n
\n
Juan Pablo Zaramella (Buenos Aires - Argentina) es director y animador independiente. Todos sus cortos independientes fueron premiados alrededor el mundo. En 2010, el Festival de Animaci\u00f3n de Annecy hizo un programa especial con sus trabajos. Su cortometraje Luminaris es el m\u00e1s premiado de la historia, con 326 premios en todo el mundo, incluyendo el del p\u00fablico y el de la cr\u00edtica en Annecy 2011, y estuvo en el shortlist al Oscar al Mejor Corto Animado en 2012. Tambi\u00e9n acaba de terminar su primera serie, \u201cEl Hombre m\u00e1s Chiquito del Mundo\u201d, en coproducci\u00f3n con Francia y Argentina. Actualmente est\u00e1 produciendo un nuevo cortometraje, que estar\u00e1 listo para 2018.<\/div><\/td>
Juan Pablo ZARAMELLA<\/B>
\n
\n
Juan Pablo Zaramella was born in Buenos Aires, Argentina. All his independent shorts have been awarded all around the world. In 2010, Annecy International Animation Festival presented a special program with a selection of his works. His film \u201cLuminaris\u201d is the most awarded short in history, with 326 international awards, including the Audience Award and Fipresci Award at Annecy 2011, and was in the Oscars Shortlist for Best Animated Short. His new short film is called \u201cOni\u00f3n\u201d, a combination of live action and different experimental animation techniques. He recently finished \u201cThe Tiniest Man in the World\u201d, a 52 episode series made in co-production with France and Argentina. Nowadays he\u2019s directing a new short that will be ready for 2018.<\/div><\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

 <\/p>\n

Pel\u00edculas en Competencia \/ Films in Competition<\/em><\/strong><\/p>\n\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
\"\"<\/td>Afterwork<\/b>
\n
\n2017 \/ Color \/ 3D, 2D \/ 6:15
\nEcuador, Espa\u00f1a, Peru
Ecuador, Spain, Peru <\/I>
\n
\nd: Luis Uson<\/td>\n<\/tr>\n
\"\"<\/td>Airport<\/b>
\nAeropuerto
\n
\n2017 \/ Color \/ Pintura sobre vidrio \/ Paint on glass \/ 10:35
\nSuiza, Croacia \/ Switzerland, Croatia
\n
\nd: Michaela M\u00fcller<\/td>\n<\/tr>\n
\"\"<\/td>Au revoir Balthazar<\/b>
\nAdi\u00f3s Baltazar
\nGoodbye Balthazar
\n
\n2016 \/ Color \/ Stop motion con multiplano \/ Multiplane, stop-motion \/ 9:30
\nSuiza \/ Switzerland
\n
\nd: Rafael Sommerhalder<\/td>\n<\/tr>\n
\"\"<\/td>Casino<\/b>
\n
\n2016 \/ Color \/ Raspado, pintura \/ Scratching, painting \/ 3:58
\nCanad\u00e1 \/ Canada
\n
\nd: Steven Woloshen<\/td>\n<\/tr>\n
\"\"<\/td>Child<\/b>
\nNi\u00f1o
\n
\n2016 \/ ByN \/ 3D \/ 9:12
\nFilmakademie Baden-W\u00fcrttemberg
\nAlemania \/ Germany
\n
\nd: Iring Freytag, Viktor Stickel<\/td>\n<\/tr>\n
\"\"<\/td>Citipati<\/b>
\n
\n2016 \/ Color \/ 3D \/ 7:00
\nFilmakademie Baden W\u00fcrttemberg GmbH
\nAlemania \/ Germany
\n
\nd: Andreas Feix<\/td>\n<\/tr>\n
\"\"<\/td>Caf\u00e9 froid<\/b>
\nCaf\u00e9 Fr\u00edo
\nCold Coffee
\n
\n2015 \/ Color \/ 2D, acci\u00f3n en vivo \/ 2D, live action \/ 14:44
\nFrancia \/ France
\n
\nd: Stephanie Lansaque, Francois Leroy<\/td>\n<\/tr>\n
\"\"<\/td>Corp.<\/b>
\n
\n2016 \/ Color \/ 2D, 3D \/ 9:00
\nArgentina
\n
\nd: Pablo Polledri<\/td>\n<\/tr>\n
\"\"<\/td>Dota<\/b>
\n
\n2016 \/ Color \/ Dibujos sobre papel, pixilaci\u00f3n \/ Drawing on paper, pixilation \/ 4:32
\nCroacia \/ Croatia
\n
\nd: Petra Zlonoga<\/td>\n<\/tr>\n
\"\"<\/td>Ein Tiefer Zug<\/b>
\nEn una pitada
\nIn One Drag
\n
\n2016 \/ Color \/ Stop-Motion, Pixilation \/ 3:05
\nFilmakademie Baden-W\u00fcrttemberg
\nAlemania \/ Germany
\n
\nd: Alireza Hashempour<\/td>\n<\/tr>\n
\"\"<\/td>Emanations: A Visual Poem<\/b>
\nEmanaciones: Un Poema Visual
\n
\n2017 \/ Color \/ Pintura sobre vidrio \/ Paint on glass \/ 4:37
\nCanad\u00e1 \/ Canada
\n
\nd: Patrick Jenkins<\/td>\n<\/tr>\n
\"\"<\/td>Et ta prostate, \u00e7a va?<\/b>
\nY tu pr\u00f3stata, \u00bfC\u00f3mo est\u00e1?
\nHow's your prostate ?
\n
\n2016 \/ Color \/ Pintura \/ Painting \/ 3:33
\nFrancia \/ France
\n
\nd: Jeanne Paturle, C\u00e9cile Rousset<\/td>\n<\/tr>\n
\"\"<\/td>Gamer Girl<\/b>
\nChica Gamer
\n
\n2016 \/ Color \/ 2D \/ 9:26
\nCroacia \/ Croatia
\n
\nd: Irena Juki\u0107 Pranji\u0107<\/td>\n<\/tr>\n
\"\"<\/td>Celui qui a deux \u00e2mes<\/b>
\n\u00c9l que tiene dos almas
\nHe who has two souls
\n
\n2015 \/ Color \/ 2D \/ 17:00
\nFrancia \/ France
\n
\nd: Fabrice Luang-Vija<\/td>\n<\/tr>\n
\"\"<\/td>Here\u2019s the plan<\/b>
\nEste es el plan
\n
\n2016 \/ Color \/ 3D \/ 18:00
\nChile
\n
\nd: Fernanda Frick<\/td>\n<\/tr>\n
\"\"<\/td>Jazz Orgie<\/b>
\nOrg\u00eda de Jazz
\n
\n2015 \/ Color \/ Dibujos \/ Drawings \/ 1:16
\nFilmakademie Baden-W\u00fcrttemberg
\nAlemania \/ Germany
\n
\nd: Irina Rubina<\/td>\n<\/tr>\n
\"\"<\/td>L'\u0152il du Cyclone<\/b>
\nEl ojo de la tormenta
\nThe Eye of the Storm
\n
\n2015 \/ Color \/ 2D \/ 5:03
\nFrancia, Jap\u00f3n \/ France, Japan
\n
\nd: Masanobu Hiraoka<\/td>\n<\/tr>\n
\"\"<\/td>La nuit Je danse avec la mort<\/b>
\nLa noche que bailo con la muerte
\nThe Night I Dance with Death
\n
\n2017 \/ Color \/ 2D, 3D \/ 6:00
\nFrancia \/ France
\n
\nd: Vincent Gibaud<\/td>\n<\/tr>\n
\"\"<\/td>Le futur sera chauve<\/b>
\nEl futuro ser\u00e1 calvo
\nThe Bald Future
\n
\n2016 \/ Color \/ Dibujos \/ Drawings \/ 6:00
\nFrancia \/ France
\n
\nd: Paul Cabon<\/td>\n<\/tr>\n
\"\"<\/td>Les Demoiselles d'Ovalie<\/b>
\nLas se\u00f1oritas de Ovalie
\nGrand Slam Ovalie
\n
\n2015 \/ Color \/ 2D \/ 13:00
\nFrancia \/ France
\n
\nd: Laurent Kircher<\/td>\n<\/tr>\n
\"\"<\/td>Me Kafka Bogot\u00e1<\/b>
\n
\n2016 \/ ByN \/ 2D, stop motion, cut out, dibujo \/ 2D, stop motion, cut-out, drawings \/ 7:00
\nColombia
\n
\nd: Ricardo Arce & Camilo Cogua<\/td>\n<\/tr>\n
\"\"<\/td>Metube 2: August sings Carmina Burana<\/b>
\nMetube 2: August canta Carmina Burana
\n
\n2016 \/ Color \/ Acci\u00f3n en vivo, t\u00e9cnicas mixtas \/ Live action, mixed \/ 5:41
\nAustria
\n
\nd: Daniel Moshel<\/td>\n<\/tr>\n
\"\"<\/td>Mon Homme (Poulpe)<\/b>
\nMi hombre (Pulpo)
\nMy Man (Octopus)
\n
\n2016 \/ Color \/ 2D \/ 8:49
\nFrancia \/ France
\n
\nd: St\u00e9phanie Cadoret<\/td>\n<\/tr>\n
\"\"<\/td>Negative Space<\/b>
\nEspacio Negativo
\n
\n2017 \/ Color \/ Stop Motion \/ 5:30
\nFrancia \/ France
\n
\nd: Max Porter & Ru Kuwahata<\/td>\n<\/tr>\n
\"\"<\/td>O Projeto do Meu Pai<\/b>
\nEl proyecto de mi padre
\nMy Father's Project
\n
\n2016 \/ Color \/ 2D digital \/ 5:40
\nBrasil \/ Brazil
\n
\nd: Rosaria Moreira<\/td>\n<\/tr>\n
\"\"<\/td>Outside<\/b>
\nAfuera
\n
\n2017 \/ Color \/ 2D \/ 1:39
\nNational Taiwan University of Arts
\nMalasia \/ Malaysia
\n
\nd: Ng Chee Chong<\/td>\n<\/tr>\n
\"\"<\/td>Persistence of Vision III<\/b>
\nPersistencia de la visi\u00f3n III
\n
\n2016 \/ Color \/ Pixilaci\u00f3n \/ Pixilation \/ 1:45
\nNoruega \/ Norway
\n
\nd: Ismael Sanz-Pena<\/td>\n<\/tr>\n
\"\"<\/td>Piano<\/b>
\n
\n2015 \/ Color \/ Dibujo sobre papel, 2D \/ Drawing on paper, 2D \/ 10:11
\nEstonia
\n
\nd: Kaspar Jancis<\/td>\n<\/tr>\n
\"\"<\/td>Poles Apart<\/b>
\nPolos Opuestos
\n
\n2017 \/ Color \/ Stop Motion \/ 12:00
\nNational Film and Television School
\nReino Unido \/ United Kingdom
\n
\nd: Paloma Baeza<\/td>\n<\/tr>\n
\"\"<\/td>Sans Chlorophyll<\/b>
\nSin clorofila
\n
\n2017 \/ Color \/ Animaci\u00f3n de objetos, 2D \/ Object animation, 2D \/ 02:50
\nUSA
\n
\nd: Phil Davis<\/td>\n<\/tr>\n
\"\"<\/td>Schirkoa<\/b>
\n
\n2016 \/ Color \/ 3D \/ 14:00
\nIndia
\n
\nd: Ishan Shukla<\/td>\n<\/tr>\n
\"\"<\/td>Si no soy no puedo ser<\/b>
\nIf I am not I cannot be
\n
\n2017 \/ Color \/ Cutout \/ 10:46
\nEspa\u00f1a \/ Spain
\n
\nd: Mario Torrecillas<\/td>\n<\/tr>\n
\"\"<\/td>T\u00eate \u00e0 T\u00eate<\/b>
\n
\n2017 \/ Color \/ Dibujo a mano, recortes, stop motion \/ Hand Drawn, Cut Out, Stop-motion \/ 8:00
\nReino Unido \/ United Kingdom
\n
\nd: Natasha Tonkin<\/td>\n<\/tr>\n
\"\"<\/td>Tough<\/b>
\nDuro
\n
\n2016 \/ Color \/ 2D, l\u00e1piz sobre papel \/ 2D Computer, pencil on paper \/ 4:49
\nKingston University London
\nReino Unido \/ United Kingdom
\n
\nd: Jennifer Zheng<\/td>\n<\/tr>\n
\"\"<\/td>Zug nach peace<\/b>
\nTren a la Paz
\nTrain to Peace
\n
\n2016 \/ Color \/ Acci\u00f3n en Vivo, Dibujos \/ Live action, Drawings \/ 9:30
\nAlemania \/ Germany
\n
\nd: Althoff Jost<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n","protected":false},"excerpt":{"rendered":"

Jurados \/ Jurors   Pel\u00edculas en Competencia \/ Films in Competition<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-253","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/comments?post=253"}],"version-history":[{"count":5,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/253\/revisions"}],"predecessor-version":[{"id":523,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/253\/revisions\/523"}],"wp:attachment":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/media?parent=253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}