{"id":256,"date":"2017-09-24T23:58:56","date_gmt":"2017-09-24T23:58:56","guid":{"rendered":"http:\/\/www.animafestival.com.ar\/2017\/?page_id=256"},"modified":"2017-10-02T18:45:31","modified_gmt":"2017-10-02T18:45:31","slug":"competencia-argentina-argentine-competition","status":"publish","type":"page","link":"https:\/\/www.animafestival.com.ar\/current\/competencia-argentina-argentine-competition\/","title":{"rendered":"Competencia Argentina \/ Argentine Competition"},"content":{"rendered":"

Jurados \/ Jurors<\/em><\/h2>\n\n\n\n\n\t\n\t\n\t
\"\"<\/td>Liliana GUILLOT<\/b>
\n
\n
Licenciada en Cinematograf\u00eda, Facultad de Filosof\u00eda y Humanidades (UNC), y Profesora de Educaci\u00f3n Cinematogr\u00e1fica, Facultad de Filosof\u00eda y Humanidades (UNC).
\nProfesora Titular de las C\u00e1tedras \u201cDise\u00f1o y Producci\u00f3n Audiovisual IV\u201d, \u201cGuion II\u201d, y \u201cSeminario Ficci\u00f3n en Televisi\u00f3n. An\u00e1lisis Narrativo de Series Dram\u00e1ticas\u201d, en la Licenciatura en Dise\u00f1o y Producci\u00f3n Audiovisual, UNVM.
\nGuionista y Directora de diversos materiales audiovisuales, documentales, ficcionales, interactivos y perfom\u00e1ticos, tanto en Argentina como en Espa\u00f1a.<\/div><\/td>
Liliana GUILLOT<\/B>
\n
\n
Liliana Guillot has an undergraduate degree in Cinematography for the Facultad de Filosof\u00eda y Humanidades (National University of Cordoba), and is the professor of Cinematographic Education for the Facultad de Filosof\u00eda y Humanidades (National University of Cordoba).
\nShe is the head to the chairs of \u201cAudiovisual Design and Production IV\u201d, \u201cScript II\u201d, and the \u201cSeminar on Fiction for Television. Narrative Analysis of Drama Series\u201d, in the undergraduate Course of Studies Audiovisual Design and Production for the National University of Villa Maria.
\nLiliana is the writer and Director of several audiovisual, documentaries, fiction, interactive and perfomatic pieces, both in Argentina and Spain. <\/div><\/i><\/td>\n<\/tr>\n
\"\"<\/td>Natacha MELL<\/B>
\n
\n
Documentalista, docente, investigadora, fot\u00f3grafa y escritora
\nLicenciada en Antropolog\u00eda (UBA) y en Ense\u00f1anza de Artes Audiovisuales (UNSAM). Documentalista Egresada del Instituto de Arte Cinematogr\u00e1fico de Avellaneda. Docente del IDAC desde 1984. Fundadora de la Biblioteca y el Centro de Investigaci\u00f3n de la instituci\u00f3n. Directora de estudios y Coordinadora General del IDAC entre 2007 y 2015. Diploma de M\u00e9rito Acad\u00e9mico por la Universidad Nacional de San Mart\u00edn (UNSAM), por ser el mejor promedio de todas las promociones de la carrera Ense\u00f1anza de la Artes Audiovisuales, 2015. Personalidad Destacada de la ciudad de Avellaneda, seg\u00fan ordenanza del Honorable Concejo Deliberante de Avellaneda, por la importante trayectoria y proyecci\u00f3n alcanzada a trav\u00e9s de su actividad literaria y cinematogr\u00e1fica, 2016. De amplia trayectoria cinematogr\u00e1fica tanto en la realizaci\u00f3n como en la investigaci\u00f3n. Es autora de numerosos ensayos sobre historia del cine. Como directora realiz\u00f3 los cortometrajes: Aquellas viejas barracas Instrucciones para abrir una puerta, Tr\u00edptico, Historia de las mujeres de Independiente, Sinfon\u00eda mural, El bodeg\u00f3n de Lucho, entre otros.<\/div><\/td>
Natacha MELL<\/B>
\n
\n
Documentary filmmaker, teacher, researcher, photographer and writer. She has an undergraduate degree in Anthropology for the University of Buenos Aires as well as a Degree for the Teaching of Audiovisual Arts for the UNSAM. Furthermore, she obtained a degree as Documentary Maker by the Instituto de Arte Cinematogr\u00e1fico de Avellaneda. Natacha has been a professor of IDAC since 1984. She founded the Library and the Research Center of said institution. She was the Director of Studies and General Coordinator of IDAC between 2007 and 2015. In 2015, Natacha was granted the Award to Academic Merit by the Universidad Nacional de San Mart\u00edn (UNSAM) for attaining the best GPA out of all the classes that took the course of studies Ense\u00f1anza de la\u00a0Artes Audiovisuales. In 2016 she was appointed Outstanding Personality of the city of Avellaneda, by a decree of the Honorable Concejo Deliberante of Avellaneda for her trajectory and for the projection she attained through her literary and cinematographic activity. Natacha has a vast experience in the cinema industry, both as maker and researcher. She is the author of several essays on the history of cinema. As a director, she created the short films Aquellas viejas barracas,\u00a0Instrucciones para abrir una puerta, Tr\u00edptico,\u00a0 Historia de las mujeres\u00a0de Independiente, Sinfon\u00eda mural, El bodeg\u00f3n de Lucho, among others.<\/div><\/i><\/td>\n<\/tr>\n
\"\"<\/td>Carlos MONTOYA<\/b>
\n
\n
Carlos Montoya es maestro de escuela primaria y trabaja en Educaci\u00f3n, pero se ha podido formar como realizador audiovisual y de animaci\u00f3n stop motion gracias a muchos realizadores que comparten sus saberes con generosidad. Ha dado talleres de stop motion para ni\u00f1os y ni\u00f1as, con quienes ha podido seguir aprendiendo un poco m\u00e1s y ha realizado, entre otras piezas audiovisuales y animadas, tres cortometrajes stop motion, de producci\u00f3n independiente, que han participado en diferentes festivales nacionales e internacionales. Su cortometraje \u201cRonko\u201d (2015) fue galardonado con el Premio a la Mejor Animaci\u00f3n Argentina en ANIMA2015. Sus trabajos se pueden buscar como 'Del entretecho'.<\/div><\/td>
Carlos MONTOYA<\/b>
\n
\n
Carlos Montoya is an elementary school teacher and works in education. However, he managed to become an audiovisual and Stop-Motion creator thanks to the generosity of the many creators that openly share their expertise. He has dictaded Stop-Motion workshops for boys and girls who help him learn more as he goes. Carlos created many audiovisual and animated pieces, as well as three idendependant Stop Motion short films featured in national and international festivals. His short piece \u201cRonko\u201d (2015) was granted the Award to the Best Argentinian Animation in ANIMA 2015. His work can be found in 'Del entretecho'. <\/div><\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

 <\/p>\n

Pel\u00edculas en Competencia \/ Films in Competition<\/em><\/h2>\n\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
\"\"<\/td>Ah\u00ed Viene el Avioncito<\/b>
\nHere Comes the Plane
\n
\n2017 \/ Color \/ 2D \/ 3:45
\nFacultad de Arquitectura, Dise\u00f1o y Urbanismo de la Universidad de Buenos Aires
\nArgentina
\n
\nd: Nicol\u00e1s Gast\u00f3n Sole Allignani
\n<\/td>\n<\/tr>\n
\"\"<\/td>Alas de Piedra<\/b>
\nStone Wings
\n
\n2016 \/ Color \/ 3D \/ 6:00
\nDa Vinci
\nArgentina
\n
\nd: Francisco Cerchiara Montero, Sof\u00eda Florencia Gariazzo
\n<\/td>\n<\/tr>\n
\"\"<\/td>Briza del verano<\/b>
\nSummer breeze
\n
\n2015 \/ Color \/ 2D \/ 2:32
\nArgentina
\n
\nd: MaXi BearZi
\n<\/td>\n<\/tr>\n
\"\"<\/td>Correr\u00e9<\/b>
\nI'll run
\n
\n2015 \/ Color \/ Rotoscop\u00eda, stop-motion y animaci\u00f3n tradicional \/ Rotoscope, stop motion and traditional animation \/ 3:11
\nArgentina
\n
\nd: Mat\u00edas Leonardo Ag\u00fcero
\n<\/td>\n<\/tr>\n
\"\"<\/td>ECO Ninja<\/b>
\n
\n2016 \/ Color \/ 2D \/ 4:20
\nEscuela para Animadores de Rosario
\nArgentina
\n
\nd: Ezequiel Gonzalez
\n<\/td>\n<\/tr>\n
\"\"<\/td>El Alpinista<\/b>
\nThe Climber
\n
\n2016 \/ Color \/ 3D \/ 5:10
\nEscuela para Animadores de Rosario
\nArgentina
\n
\nd: Marcelo Pepice, Paula Molina
\n<\/td>\n<\/tr>\n
\"\"<\/td>El Beto y el Fierro<\/b>
\nBeto and the barrel
\n
\n2015 \/ Color \/ 2D \/ 4:58
\nArgentina
\n
\nd: Marcos Luc
\n<\/td>\n<\/tr>\n
\"\"<\/td>El Final de la Inocencia<\/b>
\nThe End of Innocence
\n
\n2015 \/ Color \/ Pintura y raspado sobre celuloide \/ Painting and scratching on celluloid \/ 4:30
\nUniversidad Nacional de Villa Mar\u00eda
\nArgentina
\n
\nd: Martina Carignano, Luj\u00e1n Mart\u00ednez, Ayel\u00e9n Mufari
\n<\/td>\n<\/tr>\n
\"\"<\/td>El ni\u00f1o y la noche<\/b>
\nThe child and the night
\n
\n2017 \/ Color \/ Stop motion, cut out \/ 13:54
\nArgentina
\n
\nd: Claudia Ruiz
\n<\/td>\n<\/tr>\n
\"\"<\/td>El Tambor y la Sombra<\/b>
\nThe Drum and the Shadow
\n
\n2016 \/ Color \/ 3D CGI, 2D \/ 4:36
\nArgentina, Per\u00fa
\n
\nd: David Bisbano
\n<\/td>\n<\/tr>\n
\"\"<\/td>Gummy Gas Crisis<\/b>
\n
\n2017 \/ Color \/ 2D, 3D \/ 3:24
\nArgentina
\n
\nd: Rodrigo D\u00edaz
\n<\/td>\n<\/tr>\n
\"\"<\/td>Hab\u00eda una vez frijol<\/b>
\nOnce upon a time there was a bean
\n
\n2016 \/ Color \/ 2D \/ 2:22
\nArgentina
\n
\nd: Miguel Alberto Mazza
\n<\/td>\n<\/tr>\n
\"\"<\/td>La Casa de Colores<\/b>
\nThe House of Colors
\n
\n2017 \/ Color \/ 2D, 3D \/ 9:03
\nArgentina
\n
\nNicolas P. Villarreal
\n<\/td>\n<\/tr>\n
\"\"<\/td>Libre de m\u00ed<\/b>
\n
\n2016 \/ Color \/ 2D \/ 3:54
\nArgentina
\n
\nd: Mat\u00edas Leonardo Ag\u00fcero
\n<\/td>\n<\/tr>\n
\"\"<\/td>Pintando Mundos<\/b>
\n
\n2017 \/ Color \/ Dibujos \/ Drawings \/ 4:42
\nArgentina
\n
\nd: Agust\u00edn Touri\u00f1o
\n<\/td>\n<\/tr>\n
\"\"<\/td>Tanguito Argentino<\/b>
\n
\n2017 \/ Color \/ 3D \/ 7:51
\nArgentina
\n
\nd: Joaquin Braga
\n<\/td>\n<\/tr>\n
\"\"<\/td>T\u00e1ntalo<\/b>
\nTantalus
\n
\n2016 \/ Color \/ 2D, 3D \/ 5:20
\nFADU, UBA
\nArgentina
\n
\nd: Juan Facundo Ayerbe & Christian Krieghoff
\n<\/td>\n<\/tr>\n
\"\"<\/td>Trencito en el lejano oeste<\/b>
\nLittle train in the far west
\n
\n2016 \/ Color \/ 2D \/ 2:55
\nArgentina
\n
\nd: Emanuel Gastaldi
\n<\/td>\n<\/tr>\n
\"\"<\/td>Un solo cabrito<\/b>
\nJust a Litle Goat Kid
\n
\n2015 \/ Color \/ 2D \/ 6:07
\nArgentina
\n
\nNicol\u00e1s Ojeda
\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n","protected":false},"excerpt":{"rendered":"

Jurados \/ Jurors   Pel\u00edculas en Competencia \/ Films in Competition<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-256","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/comments?post=256"}],"version-history":[{"count":4,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/256\/revisions"}],"predecessor-version":[{"id":606,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/256\/revisions\/606"}],"wp:attachment":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/media?parent=256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}