{"id":258,"date":"2017-09-24T23:59:23","date_gmt":"2017-09-24T23:59:23","guid":{"rendered":"http:\/\/www.animafestival.com.ar\/2017\/?page_id=258"},"modified":"2017-10-02T00:47:01","modified_gmt":"2017-10-02T00:47:01","slug":"competencia-de-animacion-por-encargo-commissioned-animation-competition","status":"publish","type":"page","link":"https:\/\/www.animafestival.com.ar\/current\/competencia-de-animacion-por-encargo-commissioned-animation-competition\/","title":{"rendered":"Competencia de Animaci\u00f3n por Encargo \/ Commissioned Animation Competition"},"content":{"rendered":"

Jurados \/ Jurors<\/em><\/strong><\/p>\n\n\n\n\n\t\n\t\n\t
\"\"<\/td>Margarita CID LIZONDO<\/B>
\n
\n
Margarita Cid, Directora Ejecutiva Fundaci\u00f3n Chilemonos, donde crea y dirige las diversas \u00e1reas de desarrollo. Su trayectoria est\u00e1 ligada al \u00e1rea desde 1998 cuando funda SPONDYLUS, Estudio de animaci\u00f3n generador de contenidos en torno a patrimonio latinoamericano.
\n
\nDise\u00f1adora, Investigadora y realizadora de la Pontifica Universidad Cat\u00f3lica. Ganadora del Premio nacional Dise\u00f1o y exposiciones internacionales en Italia, B\u00e9lgica, Francia, Polonia entre otros.
\n
\nFunda en 1998 SPONDYLUS donde genera contenidos en torno a nuestro patrimonio inmaterial. Investigadora y realizadora de PORTAFOLIO iconogr\u00e1fico ancestral chileno con difusi\u00f3n Internacionalizaci\u00f3n. Premio nacional Dise\u00f1o Gr\u00e1fico Bienal UC 1994. Dise\u00f1a para m\u00faltiples Tiendas de importantes Museos chilenos.
\n
\nCreadora y Directora Ejecutiva del Festival Internacional de animaci\u00f3n Chilemonos y su itinerancia internacional, MAI! Mercado de Animaci\u00f3n, Animaccion, Monocycle Distribution, Solomonos Magazine, Solomonos TV, ReelDay, Animadores del Mundo.
\n
\nActualmente Directora Ejecutiva de Fundaci\u00f3n CHILEMONOS, organismo sin fines de lucro que promueve, fomenta y desarrolla la animaci\u00f3n chilena al mundo, implementando actividades formativas y encuentros internacionales en el marco de la industria animada. Chilemonos trabaja cinco l\u00edneas de acci\u00f3n: Cultural, Industria, Formaci\u00f3n, Investigaci\u00f3n y Difusi\u00f3n.<\/DIV><\/td>
Margarita CID LIZONDO<\/B>
\n
\n
Margarita Cid is the Executive Director of the Fundaci\u00f3n Chilemonos, where she is creator and director within the different development areas. Her background has been linked to the field for as long as 1998, the year in which she founds SPONDYLUS, an animation studio that generates content about the Latin American Heritage.
\n
\nDesigner, researcher and maker by the Pontifica Universidad Cat\u00f3lica, Margarita was granted the National Design Award and international awards for her exhibits in Italy, Belgium, France, Polland, among others.
\n
\nIn 1998, she founds SPONDYLUS to create content related to the intangible patrimony of Chile. Researcher and maker in PORTAFOLIO, a Chilean ancestral iconographic reservoir with an international reach. She was granted the national Graphic Design Bienale UC 1994. Margarita designs for several stores of important Chilean museums.
\n
\nMargarita is the Creator and Executive Director of the International Animation Festival Chilemonos, and its international productions: MAI! Mercado de Animaci\u00f3n, Animaccion, Monocycle Distribution, Solomonos Magazine, Solomonos TV, ReelDay, Animadores del Mundo.
\n
\nShe is currently the Executive Director of the CHILEMONOS Foundation, a non-profit organization for the promotion, fostering and development of Chilean animation throughout the world that implements educational activities and international meetings within the framework of the animation industry. Chilemonos works within the following five lines of action: Cultural, Industry, Training, Research and Broadcasting.<\/DIV><\/i><\/td>\n<\/tr>\n
\"\"<\/td>Andr\u00e9s LIEBAN<\/B>
\n
\n
Andr\u00e9s Lieban es graduado en Artes Pl\u00e1sticas por la Universidade Federal do Rio Grande do Sul (UFRGS) y trabaja con animaci\u00f3n hacen m\u00e1s de 25 a\u00f1os. Sus cortos y s\u00e9ries ya acumulan pr\u00eamios nacionales y internacionales de festivales y eventos como Anima Mundi, Festival de Chicago, Divercine, Licensing Challenge\/ MipCom Jr. y Preux Janeusse Iberoamericano. Creador y director de las s\u00e9ries \"Mi AmigaZazo\" (mejor programa infantil de televisi\u00f3n de 2010 seg\u00fan APCA - Associa\u00e7\u00e3o Paulista de Cr\u00edticos de Arte) y \"Cuarto de Jobi\", es tambi\u00e9n s\u00f3cio fundador y director creativo de la productora y est\u00fadio de animaci\u00f3n 2DLab, uno de los estudios pioneros en Brasil a producir series animadas y desarrollar coproducciones internacionales. La serie \"Mi AmigaZazo\", en coproducci\u00f3n con la canadiense Breakthrough, hoy lleva dos temporadas completas con 104 cap\u00edtulos de 11 minutos, licenciados en m\u00e1s de 70 territorios en el mundo, siendo transmitido en LatinoAmerica por Discovery Kids. Adem\u00e1s de tener trabajado en comerciales y producciones internacionales para televisi\u00f3n, Andr\u00e9s tambi\u00e9n ha creado y dirigido las animaciones del especial \"Toquinho no Mundo da Crian\u00e7a\", en DVD distribu\u00eddo por Biscoito Fino. Entre 2005 e 2006 fue presidente de ABCA (Associa\u00e7\u00e3o Brasileira de Cinema de Anima\u00e7\u00e3o). En 2015 fue invitado por la Corporaci\u00f3n de Fomento de la Producci\u00f3n de Chile (CORFO) para componer el equipo de evaluadores de los pitchings del concurso de Desarrollo de Proyectos para TV. 2DLab tambi\u00e9n incluye en su portafolio animaciones producidas para otras productoras, como las d\u00f3s primeras temporadas de la s\u00e9rie \"Sitio do Pica Pau Amarelo\" (Mixer\/Globo) y el largometraje \"La Primera Aventura de Colombo\" (Indiana Producciones). Actualmente, reci\u00e9n ha finalizado la s\u00e9rie animada adulta \"Corta!\" (26 x 3') para estrenar en Latinoamerica por Universal Channel, y inicia la producci\u00f3n del largometraje de \"Mi AmigaZazo\", em respuesta al \u00eaxito en televisi\u00f3n, VOD, teatro y licenciamiento de sus personajes, que adem\u00e1s sigue para el desarrollo para su tercer temporada. En 2018 empieza a producir 2 series infantiles in\u00e9ditas y inaugura su n\u00facleo creativo para desarrollo de nuevos proyectos, con aporte del Fundo Sectorial del Audiovisual.<\/DIV><\/td>
Andr\u00e9s LIEBAN<\/B>
\n
\n
Andr\u00e9s Lieban graduated in Fine Arts for the Universidade Federal do Rio Grande do Sul (UFRGS) and has worked in animation for over 25 years. His short pieces and series have collected awards from national and international festivals and events such as Anima Mundi, Festival de Chicago, Divercine, Licensing Challenge\/MipCom Jr. and Preux Janeusse Iberoamericano. Creator and director of the series \"Mi AmigaZazo\" (recognized by APCA, Associa\u00e7\u00e3o Paulista de Cr\u00edticos de Arte, as the best children television program in 2010) and \"Cuarto De Jobi\". He is also founder, member, and creative director of the animation studio 2DLab, a Brazilian study piooner in the production of animated series and the development of international co-productions. The series \"Mi AmigaZazo\", co-produced with the Canadian Breakthrough, has aired two full seasons of 11-minute, 104 episodes, with licenses in over 70 territories in the world. In Latin America, it is broadcasted by Discovery Kids. Andr\u00e9s has worked in commercials and international productions for television. Andr\u00e9s created and directed the animations for the DVD special \"Toquinho no Mundo da Crian\u00e7a\", distributed by Biscoito Fino. Between 2005 and 2006, he was the president of ABCA (Associa\u00e7\u00e3o Brasileira de Cinema de Anima\u00e7\u00e3o). In 2015 he was invited by the Corporaci\u00f3n de Fomento de la Producci\u00f3n de Chile (CORFO) to constitute the team to evaluate the pitching for the contest Desarrollo de Proyectos para TV (Development of Projects for TV). His 2DLab portfolio also includes animations developed for other production companies, such as the first two seasons of \"Sitio do Pica Pau Amarelo\" (Mixer\/Globo) and the feature film \"La Primera Aventura de Colombo\" (Indiana Producciones). He has recently finished the animated series for adults \"Corta!\" (26 x 3') to be launched in Latin America by Universal Channel, and he is starting the production of the feature film \"Mi AmigaZazo\", given its success in television, VOD and theater. He is also obtaining the licencing for his characters, which development continues towards a third season. In 2018, he will begin the production of 2 unpublished children series. He will also be inaugurating a creative hub for the development of new projects, with the cooperation of the Fundo Sectorial del Audiovisual.<\/div><\/i><\/td>\n<\/tr>\n
\"\"<\/td>Martina SANTORO<\/b>
\n
\n

\nComo CEO & socia, y co-fundadora de OKAM Studio<\/a>, Martina tiene un papel clave en el desarrollo de video juegos y proyectos interactivos que cuentan historias \u00fanicas a trav\u00e9s de m\u00faltiples plataformas. Con experiencia en producci\u00f3n y animaci\u00f3n, siendo su primer emprendimiento cambiar la manera en que consumimos entretenimiento, tomando el desarrollo de contenidos a un nivel superior, Martina ha sido la fuerza impulsora detr\u00e1s OKAM.
\nPresidenta de la Asociaci\u00f3n de Desarrolladores de Videojuegos de Argentina<\/a>. Editora del sitio de noticias sobre la Industria de Desarrollo de Videojuegos en Latinoam\u00e9rica: Inside Games Latam y Editor del sitio de noticias sobre la Industria de Animaci\u00f3n Latina MOUSHON.biz.
\nCoordinadora de la carrera de Direcci\u00f3n de Cine de Animaci\u00f3n y Multimedia de la Universidad del Cine<\/div><\/td>
Martina SANTORO<\/b>
\n
\n
She is the CEO, partner and co-founder of OKAM Studio<\/a>. As such, Martina plays a key role in the development of videogames and interactive projects that tell unique stories through multiple platforms. She is an experienced producer and animator. Her first project was to change the way in which entretainment is consumed, by taking the development of content to a higher level. Martina has been the driving force behind OKAM.
\nPresident of the Asociaci\u00f3n de Desarrolladores de Videojuegos de Argentina<\/a>. Editor of the news site about the industry of videogame development in Latin America: Inside Games Latam, and Editor of the news site on the Latin Animation Industry, MOUSHON.biz.
\nShe is the coordinator of the course of studies Direction of Animated and Multimedia Films for the Universidad del Cine.<\/div><\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

 <\/p>\n

Pel\u00edculas en Competencia \/ Films in Competition<\/em><\/strong><\/p>\n\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
\"\"<\/td>\/Slash Trailer 2016<\/b>
\n
\n2016 \/ ByN \/ Stop motion \/ 1:00
\nAustria
\n
\nd: Wolfgang Matzl<\/td>\n<\/tr>\n
\"\"<\/td>50 Jaar Het Balletorkest<\/b>
\n50 A\u00f1os De La Orquesta Holandesa De Ballet
\n50 Years Of Dutch Ballet Orchestra
\n
\n2016 \/ Color \/ 2D \/ 2:35
\nPaises Bajos \/ The Netherlands
\n
\nd: Johan Klungel<\/td>\n<\/tr>\n
\"\"<\/td>Ailleurs<\/b>
\nEn otra parte
\nElsewhere
\n
\n2017 \/ Color \/ Pintura \/ Painting \/ 3:42
\nFrancia \/ France
\n
\nd: Marie Opron<\/td>\n<\/tr>\n
\"\"<\/td>Amigos II - La llegada de Elbiz<\/b>
\nFriends II - Elbiz\u00b4s arrival
\n
\n2016 \/ Color \/ 3D \/ 13:40
\nArgentina
\n
\nd: Esteban Echeverr\u00eda<\/td>\n<\/tr>\n
\"\"<\/td>Capit\u00e1n Nariz de Lata - Ballena blanca<\/b>
\nCaptain Tin Nose - White Whale
\n
\n2016 \/ Color \/ 2D \/ 7:40
\nArgentina
\n
\nd: Roberto Cubillas<\/td>\n<\/tr>\n
\"\"<\/td>Ciencia Zapata - Pulpo Gigante Extraterrestre<\/b>
\nZapata\u00b4s Science - Extraterrestrial Giant Octopus
\n
\n2016 \/ Color \/ 2D \/ 14:53
\nArgentina
\n
\nd: Pablo Accame<\/td>\n<\/tr>\n
\"\"<\/td>Design thinking<\/b>
\n
\n2016 \/ Color \/ Stop Motion, Motion Graphics \/ 2:58
\nEspa\u00f1a \/ Spain
\n
\nd: Aida Arg\u00fcelles<\/td>\n<\/tr>\n
\"\"<\/td>O di\u00e1rio de Mika: O trabalho do Papai<\/b>
\nEl diario de Mika: El trabajo de pap\u00e1
\nMika\u2019s Diary: Daddy\u2019s job
\n
\n2016 \/ Color \/ 2D \/ 7:22
\nBrasil \/ Brazil
\n
\nd: Elizabeth Mendes<\/td>\n<\/tr>\n
\"\"<\/td>El hombre mas chiquito del mundo<\/b>
\nThe tiniest man in the world
\n
\n2016 \/ Color \/ Stop Motion, Acci\u00f3n en Vivo \/ Stop Motion, Live Action \/ 4:10
\nArgentina, Francia \/ Argentina, France
\n
\nd: Juan Pablo Zaramella<\/td>\n<\/tr>\n
\"\"<\/td>El Muerto en la Heladera<\/b>
\nDead in the Fridge
\n
\n2017 \/ Color \/ Stop motion \/ 3:28
\nArgentina
\n
\nd: Lui Sala, Patricio Alvarado<\/td>\n<\/tr>\n
\"\"<\/td>Familia Pampa<\/b>
\nPampa Family
\n
\n2015 \/ Color \/ 2D \/ 5:40
\nArgentina
\n
\nd: Sebasti\u00e1n Mignogna, Cecilia At\u00e1n<\/td>\n<\/tr>\n
\"\"<\/td>Flori de Plastic<\/b>
\nFlores de Pl\u00e1stico
\nPlastic Flowers
\n
\n2017 \/ Color \/ Dibujos, Rotoscopia \/ Drawings, Rotoscope \/ 3:40
\nRumania \/ Romania
\n
\nd: Claudia Ilea<\/td>\n<\/tr>\n
\"\"<\/td>Great headless blank<\/b>
\nGran blanco descabezado
\n
\n2016 \/ Color \/ Pintura sobre Vidrio \/ Paint on Glass \/ 4:08
\nCanad\u00e1 \/ Canada
\n
\nd: Carine Khalife<\/td>\n<\/tr>\n
\"\"<\/td>Jard\u00edn m\u00f3vil: dientes de le\u00f3n<\/b>
\nMobile Garden: Dandelions
\n
\n2016 \/ Color \/ Stop motion, Cutout sobre Multiplano \/ Stop motion, Multiplane Cutout \/ 4:25
\nArgentina
\n
\nd: Paula Daveloza<\/td>\n<\/tr>\n
\"\"<\/td>Juani y Gat\u00f3n<\/b>
\nJane and CatBlanket
\n
\n2017 \/ Color \/ 2D CutOut \/ 7:25
\nColombia
\n
\nd: Juli\u00e1n Manrique<\/td>\n<\/tr>\n
\"\"<\/td>La pegatina - y se fue<\/b>
\n
\n2016 \/ Color \/ Stop motion + compositing \/ 3:26
\nFrancia \/ France
\n
\nd: Victor Haegelin<\/td>\n<\/tr>\n
\"\"<\/td>Le Chef<\/b>
\nEl Chef
\n
\n2016 \/ Color \/ Stop Motion \/ 1:00
\nMoholy-Nagy University of Art and Design
\nHungr\u00eda \/ Hungary
\n
\nd: B\u00e1lint Halasi, Damjan Lazin<\/td>\n<\/tr>\n
\"\"<\/td>Mostros afechantes, \u00a1Hay un mostro en la nevera!<\/b>
\nTroubling monsters, there's a monster in the fridge!
\n
\n2017 \/ Color \/ 2D \/ 11:16
\nEspa\u00f1a - Colombia \/ Spain - Colombia
\n
\nd: Carlos Eduardo Smith Rovira, Marcelo Dematei, Laura Piaggio<\/td>\n<\/tr>\n
\"\"<\/td>O Mal<\/b>
\nEl mal
\nThe evil
\n
\n2016 \/ Color \/ Cutout \/ 2:11
\nBrasil \/ Brazil
\n
\nd: Carlon Hardt<\/td>\n<\/tr>\n
\"\"<\/td>Puerto Papel<\/b>
\nPaper Port
\n
\n2016 \/ Color \/ Stop Motion \/ 11:32
\nChile, Brasil, Colombia, Argentina \/ Chile, Brazil, Colombia, Argentina
\n
\nd: Alvaro Ceppi & Hugo Covarrubias<\/td>\n<\/tr>\n
\"\"<\/td>Safety<\/b>
\nSeguridad
\n
\n2016 \/ Color \/ 2D \/ 1:47
\nUSA
\n
\nd: Adolfo Ruiz Mendes<\/td>\n<\/tr>\n
\"\"<\/td>Sea<\/b>
\nMar
\n
\n2017 \/ ByN \/ B&W \/ 2D \/ 3:49
\nRep\u00fablica Checa, Belar\u00fas \/ Czech Republic, Belarus
\n
\nd: Marharita Tsikhanovich<\/td>\n<\/tr>\n
\"\"<\/td>Ta Tristesse<\/b>
\nTu Tristeza
\nMelancholy
\n
\n2016 \/ Color \/ 2D \/ 4:09
\nEnsav La Cambre
\nB\u00e9lgica \/ Belgium
\n
\nd: Jacinthe Folon<\/td>\n<\/tr>\n
\"\"<\/td>Todav\u00eda Te Quiero<\/b>
\nI still love you
\n
\n2016 \/ Color \/ 2D \/ 3:22
\nArgentina
\n
\nd: Bruno Scopazzo, Daniel Duche<\/td>\n<\/tr>\n
\"\"<\/td>The Junction - Chilly Gonzales & Peaches<\/b>
\n
\n2016 \/ Color \/ 2D \/ 4:42
\nCanad\u00e1 \/ Canada
\n
\nd: Patrick Doyon<\/td>\n<\/tr>\n
\"\"<\/td>The School of Life \/\/ Cultural Mining<\/b>
\nLa Escuela de la Vida \/\/ Miner\u00eda Cultural
\n
\n2016 \/ Color \/ 2D, 3D \/ 2:27
\nUK
\n
\nd: Wednesday Collective<\/td>\n<\/tr>\n
\"\"<\/td>The Unnatural<\/b>
\n
\n2016 \/ Color \/ 2D, Dibujo sobre papel \/ 2D, Drawing on paper \/ 5:22
\nChile
\n
\nd: Marcos S\u00e1nchez<\/td>\n<\/tr>\n
\"\"<\/td>The Wolf<\/b>
\n
\n2017 \/ Color \/ 2D Tradicional \/ Traditional 2D \/ 3:15
\nArgentina
\n
\nd: Esteban Cuenca, Pablo Rafael Rold\u00e1n, Ezequiel Torres, Fer Suniga<\/td>\n<\/tr>\n
\"\"<\/td>Tierra de Rufianes<\/b>
\nLand of Rufians
\n
\n2015 \/ ByN \/ 2D \/ 11:20
\nArgentina
\n
\nd: Federico Moreno Breser<\/td>\n<\/tr>\n
\"\"<\/td>\u041a\u043e\u0441\u043c\u0438\u0447\u043a\u043e \u0458\u0430\u0442\u043e<\/b>
\nEl Reba\u00f1o C\u00f3smico
\nThe Cosmic Flock
\n
\n2016 \/ Color \/ 2D digital, cuadro a cuadro \/ 2D digital, frame by frame \/ 0:25
\nSerbia
\n
\nd: Stefan Katani\u0107<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n","protected":false},"excerpt":{"rendered":"

Jurados \/ Jurors   Pel\u00edculas en Competencia \/ Films in Competition<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-258","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/comments?post=258"}],"version-history":[{"count":3,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/258\/revisions"}],"predecessor-version":[{"id":537,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/258\/revisions\/537"}],"wp:attachment":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/media?parent=258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}