{"id":2804,"date":"2022-10-08T19:36:20","date_gmt":"2022-10-08T22:36:20","guid":{"rendered":"https:\/\/www.animafestival.com.ar\/current\/?page_id=2804"},"modified":"2022-10-10T13:45:08","modified_gmt":"2022-10-10T16:45:08","slug":"palmares-anima2022","status":"publish","type":"page","link":"https:\/\/www.animafestival.com.ar\/current\/palmares-anima2022\/","title":{"rendered":"PALMAR\u00c9S ANIMA2022"},"content":{"rendered":"\n
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Gran Premio del Jurado<\/strong><\/p>\n\n\n\n

Grand Prix of the Jury<\/em><\/strong><\/p>\n\n\n\n


Other Half | Otra mitad<\/strong><\/p>\n\n\n\n

Lina Kalcheva, 2021<\/p>\n\n\n\n

Reino Unido | United Kingdom<\/em><\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Premio del P\u00fablico<\/strong><\/p>\n\n\n\n

Audience Award<\/em><\/strong><\/p>\n\n\n\n


El After del Mundo | The world’s after<\/em><\/strong><\/p>\n\n\n\n

Florentina Gonz\u00e1lez, 2022<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Premio Cacho\u00edto<\/strong><\/p>\n\n\n\n

Cacho\u00edto Award<\/em><\/strong><\/p>\n\n\n\n


Carmen del Rosario Garz\u00f3n<\/strong><\/p>\n\n\n\n


Premio nombrado en honor al fallecido Miguel De Lorenzi, reconocido dise\u00f1ador y animador de C\u00f3rdoba, y dedicado a las personalidades m\u00e1s relevantes de la animaci\u00f3n argentina.
Award named after the late Miguel \u201cCacho\u00edto\u201d De Lorenzi, a designer and animator from C\u00f3rdoba, and dedicated to relevant personalities of Argentine animation.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mejor Animaci\u00f3n Ficci\u00f3n<\/strong><\/p>\n\n\n\n

Best Animation Fiction<\/em><\/strong><\/p>\n\n\n\n


Amok<\/strong><\/p>\n\n\n\n

Bal\u00e1zs Turai, 2022<\/p>\n\n\n\n

Hungr\u00eda | Hungary<\/em><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mejor Animaci\u00f3n No Ficci\u00f3n<\/strong><\/p>\n\n\n\n

Best Animation Non Fiction<\/em><\/strong><\/p>\n\n\n\n


Carlos Monta\u00f1a<\/strong><\/p>\n\n\n\n

Itat\u00ed Romero, 2022<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mejor Animaci\u00f3n No Narrativa\/Abstracta<\/strong><\/p>\n\n\n\n

Best Animation Non Narrative\/Abstract<\/em><\/strong><\/p>\n\n\n\n


Swallow the Universe | Devorar el universo<\/strong><\/p>\n\n\n\n

Nieto, 2021<\/p>\n\n\n\n

Francia | France<\/em><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mejor Animaci\u00f3n Argentina<\/strong><\/p>\n\n\n\n

Best Argentine Animation<\/em><\/strong><\/p>\n\n\n\n

1er PREMIO | 1st PRIZE<\/em><\/strong><\/p>\n\n\n\n


Pasajero | Passenger<\/em><\/strong><\/p>\n\n\n\n

Juan Pablo Zaramella, 2022<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mejor Animaci\u00f3n Argentina<\/strong><\/p>\n\n\n\n

Best Argentine Animation<\/em><\/strong><\/p>\n\n\n\n

2do PREMIO | 2nd PRIZE<\/em><\/strong><\/p>\n\n\n\n


LOOP<\/strong><\/p>\n\n\n\n

Pablo Polledri, 2021<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mejor Animaci\u00f3n Argentina<\/strong><\/p>\n\n\n\n

Best Argentine Animation<\/em><\/strong><\/p>\n\n\n\n

3er PREMIO | 3rd PRIZE EX AEQUO<\/em><\/strong><\/p>\n\n\n\n


El After del Mundo | The world’s after<\/em><\/strong><\/p>\n\n\n\n

Florentina Gonz\u00e1lez, 2022<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mejor Animaci\u00f3n Argentina<\/strong><\/p>\n\n\n\n

Best Argentine Animation<\/em><\/strong><\/p>\n\n\n\n

3er PREMIO | 3rd PRIZE EX AEQUO<\/em><\/strong><\/strong><\/p>\n\n\n\n


Las Peripecias de Sir Percival | The Misadventures of Sir Percival<\/em><\/strong><\/p>\n\n\n\n

Becho Lo Bianco, Mariano Bergara, Javier Mrad, 2022<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mejor Animaci\u00f3n Latinoamericana<\/strong><\/p>\n\n\n\n

Best Latin American Animation<\/em><\/strong><\/p>\n\n\n\n


Deshabitada | Uninhabited<\/em><\/strong><\/p>\n\n\n\n

Camila Donoso Astudillo, 2021<\/p>\n\n\n\n

Chile<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Menci\u00f3n Especial Animaci\u00f3n Latinoamericana<\/strong><\/p>\n\n\n\n

Latin American Animation Special Mention<\/em><\/strong><\/p>\n\n\n\n


Los Huesos | The Bones<\/em><\/strong><\/p>\n\n\n\n

Crist\u00f3bal Le\u00f3n, Joaqu\u00edn Coci\u00f1a, 2021<\/p>\n\n\n\n

Chile<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mejor Animaci\u00f3n Encargo | Promo\/AD<\/strong><\/p>\n\n\n\n

Best Commissioned Animation | Promo\/AD<\/em><\/strong><\/p>\n\n\n\n


WOOM – Heroes wear helmets | <\/em>WOOM – Los h\u00e9roes usan casco<\/strong><\/p>\n\n\n\n

LWZ Studio, 2021<\/p>\n\n\n\n

Austria<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Menci\u00f3n Especial Animaci\u00f3n Encargo | Promo\/AD<\/strong><\/p>\n\n\n\n

Commissioned Animation Special Mention | Promo\/AD<\/em><\/strong><\/p>\n\n\n\n


Bird-Box<\/strong><\/p>\n\n\n\n

Rajesh Thakare, Aman Gupta, 2021<\/p>\n\n\n\n

India<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mejor Animaci\u00f3n Encargo | Serie<\/strong><\/p>\n\n\n\n

Best Commissioned Animation | Series<\/em><\/strong><\/p>\n\n\n\n


Dos pajaritos | Two Little Birds<\/em><\/strong><\/p>\n\n\n\n

Alfredo Soderguit, Alejo Schettini, 2021<\/p>\n\n\n\n

Uruguay, Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mejor Animaci\u00f3n Encargo | Videoclip<\/strong><\/p>\n\n\n\n

Best Commissioned Animation | Music video<\/em><\/strong><\/p>\n\n\n\n


No lullaby<\/strong><\/p>\n\n\n\n

Ezequiel Torres, 2022<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Menci\u00f3n Especial Animaci\u00f3n Encargo | Videoclip<\/strong><\/p>\n\n\n\n

Commissioned Animation Special Mention | Music video<\/em><\/strong><\/p>\n\n\n\n


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\u0160edes\u00e1t\u00e1 l\u00e9ta | Sesentas | Sixties<\/em><\/strong><\/p>\n\n\n\n

Michaela Pavlatov\u00e1, 2022<\/p>\n\n\n\n

Rep\u00fablica Checa | Czech Republic<\/em><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mejor Animaci\u00f3n Estudiantil<\/strong><\/p>\n\n\n\n

Best Student Animation<\/em><\/strong><\/em><\/strong><\/p>\n\n\n\n


Les larmes de la Seine | Las l\u00e1grimas del Sena | The Seine’s tears<\/em><\/strong><\/p>\n\n\n\n

Yanis Belaid, Eliott Benard, Nicolas Mayeur, Etienne Moulin, Hadrien Pinot, Lisa Vicente, Philippine Singer, Alice Letailleur, 2021<\/p>\n\n\n\n

P\u00f4le 3D – Digital & Creative School, Francia | France<\/em><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Menci\u00f3n Especial Animaci\u00f3n Estudiantil<\/strong><\/p>\n\n\n\n

Student Animation Special Mention<\/em><\/strong><\/p>\n\n\n\n


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In The Upper Room | En la habitaci\u00f3n de arriba<\/strong><\/p>\n\n\n\n

Alexander Gratzer, 2022<\/p>\n\n\n\n

Moholy – Nagy Universit\u00e4t Budapest, Austria<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mejor Animaci\u00f3n Infantil y Juvenil<\/strong><\/p>\n\n\n\n

Best Children and Youth Animation<\/em><\/strong><\/p>\n\n\n\n


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Our Photo Memento | Nuestro momento fotogr\u00e1fico<\/strong><\/p>\n\n\n\n

Samaneh Lashgari, 2022<\/p>\n\n\n\n

Ir\u00e1n | Iran<\/em><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Menci\u00f3n Especial Animaci\u00f3n Infantil y Juvenil<\/strong><\/p>\n\n\n\n

Children and Youth Animation Special Mention<\/em><\/strong><\/p>\n\n\n\n


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Hello Stranger | Hola, extra\u00f1o<\/strong><\/p>\n\n\n\n

Julia Ocker, 2021<\/p>\n\n\n\n

Alemania | Germany<\/em><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Mejor Largometraje Animado<\/strong><\/p>\n\n\n\n

Best Feature Animation<\/em><\/strong><\/p>\n\n\n\n


<\/p>\n\n\n\n

Mundo Proibido | Mundo Prohibido | Forbidden World<\/em><\/strong><\/p>\n\n\n\n

Al\u00ea Camargo, Camila Carrossine, 2021<\/p>\n\n\n\n

Brasil | Brazil<\/em><\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Menci\u00f3n Especial Largometraje Animado<\/strong><\/p>\n\n\n\n

Feature Animation Special Mention<\/em><\/strong><\/p>\n\n\n\n


<\/p>\n\n\n\n

Chicken of the Mound | Pollo del mont\u00f3n<\/strong><\/p>\n\n\n\n

Xi Chen, 2022<\/p>\n\n\n\n

China<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Premio RAMA a la Mejor Animaci\u00f3n hecha por mujeres<\/strong><\/p>\n\n\n\n

RAMA Award to the Best Animation made by female animators<\/em><\/strong>
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Acordate, dame un beso al despertar |
Remember to Kiss Me When You Wake Up<\/em><\/strong><\/p>\n\n\n\n

Estefan\u00eda Clotti, 2021<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Menci\u00f3n Especial RAMA a la Mejor Animaci\u00f3n hecha por mujeres<\/strong><\/p>\n\n\n\n

RAMA Special Mention to the Animation made by female animators<\/em><\/strong>
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M2<\/strong><\/p>\n\n\n\n

Ana Martin, Bela Tagliabue, Paola Bellato, 2021<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Premio \u00abEdgardo ‘Pipo’ Bechara el Khoury\u00bb de RAFMA – Red Argentina de Festivales y Muestras Audiovisuales<\/strong><\/p>\n\n\n\n

\u00abEdgardo ‘Pipo’ Bechara el Khoury\u00bb Award by RAFMA – Argentine Network of Festivals and Audiovisual Exhibitions<\/em><\/strong>


Carlos Monta\u00f1a<\/strong><\/p>\n\n\n\n

Itat\u00ed Romero, 2022<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Primer Premio Shipin<\/strong><\/p>\n\n\n\n

First Shipin Award
<\/em><\/strong><\/p>\n\n\n\n


LOOP<\/strong><\/p>\n\n\n\n

Pablo Polledri, 2021<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Segundo Premio Shipin<\/strong><\/p>\n\n\n\n

Second Shipin Award
<\/em><\/strong><\/p>\n\n\n\n


Fuego | Fire<\/em><\/strong><\/p>\n\n\n\n

Maro Margulis, 2022<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Tercer Premio Shipin<\/strong><\/p>\n\n\n\n

Third Shipin Award<\/em><\/strong>


Carlos Monta\u00f1a<\/strong><\/p>\n\n\n\n

Itat\u00ed Romero, 2022<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Premio Cine.ar<\/strong><\/p>\n\n\n\n

Cine.ar Award<\/em><\/strong>
<\/p>\n\n\n\n


Las Vigilias de la Noche | The Vigils of the Night<\/em><\/strong><\/p>\n\n\n\n

Estanislao Cortada, Nicol\u00e1s Sanchez, 2021<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Menci\u00f3n Especial Cine.ar<\/strong><\/p>\n\n\n\n

Cine.ar Special Mention<\/em><\/strong>
<\/p>\n\n\n\n


Llov\u00eda | It was raining<\/em><\/strong><\/p>\n\n\n\n

Ignacio Lillini, 2021<\/p>\n\n\n\n

Argentina<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":16,"featured_media":2848,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2804","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/2804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/comments?post=2804"}],"version-history":[{"count":9,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/2804\/revisions"}],"predecessor-version":[{"id":2890,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/pages\/2804\/revisions\/2890"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/media\/2848"}],"wp:attachment":[{"href":"https:\/\/www.animafestival.com.ar\/current\/wp-json\/wp\/v2\/media?parent=2804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}